Carlos Saura's film Tango, which earned an Academy Award nomination for Best Foreign Film in 1999, immerses itself thoroughly in the ethos of [more]
The thriller {#Sky Riders} (in which a woman played by Susannah York is kidnapped by terrorists and rescued by her ex-husband, played by James Coburn, who hang-glides onto a Greek [more]
In the pantheon of jazz singers, the great tunes of George and Ira Gershwin have always been favorites. Special vocalists can make these [more]
Though it includes just one track originally released on Blue Note (Kenny Dorham's "Afrodisia"), Latino Blue is a superb collection of Latin jazz spanning the late '50s to the late [more]
Although Rhino's four-disc box set, Q: The Musical Biography of Quincy Jones, was released to coincide with Quincy Jones' autobiography, and that's what gives [more]
"These live performances are dazzling, beautifully integrated and peppered with humor and rhythmic variety." —DownBeat, 4-1/2 Stars
Dizzy Gillespie (along with altoist Leo Wright, pianist Lalo Schfrin, bassist Bob Cunningham, and drummer Chuck Lampkin) were in [more]
The sequel to the popular The Girl from Ipanema anthology basically reshuffles the deck, duplicating nine of the earlier CD's songs and adding six new [more]
A byproduct of the bossa nova fad that followed the success of "Desafinado" (and preceded the famous recording Getz/Gilberto), this set finds Quincy Jones utilizing and [more]
Some of Dizzy Gillespie's best and most well-known material from the '60s with a truly talented band is included on this long-awaited reissue of recordings done in [more]
Carlos Saura's film Tango, which earned an Academy Award nomination for Best Foreign Film in 1999, immerses itself thoroughly in the ethos of [more]
Best known for his "Mission: Impossible" theme song, Lalo Schifrin is an Argentinean-born composer, arranger, pianist, and conductor, whose jazz and classical training earned him tremendous success as a soundtrack composer. Born Boris Claudio Schifrin in Buenos Aires on June 21, 1932, his father was a symphonic violinist, and he began playing piano at age six. He enrolled in the Paris Conservatoire in 1952, hitting the jazz scene by night. After returning to Buenos Aires, Schifrin formed a 16-piece jazz orchestra, which helped him meet Dizzy Gillespie in 1956. Schifrin offered to write Gillespie an extended suite, completing the five-movement Gillespiana in 1958; the same year, he became an arranger for Xavier Cugat. In 1960, he moved to New York City and joined Gillespie's quintet, which recorded "Gillespiana" to much general acclaim. Schifrin became Gillespie's musical director until 1962, contributing another suite in "The New Continent"; he subsequently departed to concentrate on his writing. He also recorded as a leader, most often in Latin jazz and bossa nova settings, and accepted his first film-scoring assignment in 1963 (for {#Rhino!}). Schifrin moved to Hollywood late that year, scoring major successes with his indelible themes to {#Mission: Impossible} and {#Mannix}. Over the next decade, Schifrin would score films like {#The Cincinnati Kid}, {#Bullitt}, {#Cool Hand Luke}, {#Dirty Harry}, and {#Enter the Dragon}. As a jazzer, he wrote the well-received "Jazz Mass" suite in 1965, and delved into stylish jazz-funk with 1975's CTI album Black Widow. Schifrin continued his film work all the way through the '90s; during that decade, he recorded a series of orchestral jazz albums called Jazz Meets the Symphony, and became the principal arranger for the Three Tenors, which complemented his now-dominant interest in composing classical music. ~ Steve Huey, All Music Guide