This album is one of guitarist Kenny Burrell's best-known sessions for the Blue Note label. Burrell is matched with tenor saxophonist Stanley Turrentine, bassist Major Holley, drummer [more]
The music on this 1997 two-CD set was originally on two LPs and already previously reissued as a pair of CDs. Guitarist Kenny Burrell leads a very coherent jam session in the [more]
This Kenny Burrell compilation from 32 Jazz collects some of the guitarist's best work recorded for the Muse label between 1978 and 1983. Perhaps not the Detroit native's most essential [more]
Kenny Burrell has been known throughout his career for his good taste, reliable swing and mastery of bebop. Born in Detroit in [more]
I remember the sessions well, I remember how the musicians wanted to sound, and I remember their reactions to the playbacks. Today, I feel strongly that I am their messenger. -Rudy van Gelder
For his final Prestige-related session as a sideman, John Coltrane (tenor sax) and Kenny Burrell (guitar) are supported by an all-star cast of Paul [more]
"4-1/2 Stars" —Down Beat, 1968
When it comes to Kenny Burrell, a title like Blues -- The Common Ground speaks volumes. His approach always keeps in mind the connection of jazz to the blues, infusing his [more]
Groove great Kenny Burrell and Jimmy Smith (Hammond organ) together on the same album. Includes a rendition of "Fever." ~ Michael Erlewine, All Music Guide
"Christmas albums by jazz artists are no longer a novelty, but one as imaginative in choice of repertoire and as well realized musically as this one is a rarity ... It can be listened to any time of the year." —Down Beat 1967 ****
After its original release on Cadet Records in 1966, Have Yourself a Soulful Little Christmas was out of print for years until a 1992 reissue. With [more]
As a forceful and impressive showcase for the myriad talents of Burrell, this set would be hard to beat. ***** -Down Beat, 1965
Though this ranks as one of arranger Gil Evans' minor achievements in the grand scheme of things, for Kenny Burrell it was a career-defining moment, one of his most individual, [more]
This album is one of guitarist Kenny Burrell's best-known sessions for the Blue Note label. Burrell is matched with tenor saxophonist Stanley Turrentine, bassist Major Holley, drummer [more]
This unusual set (reissued on CD by Blue Note) was one of the most successful uses of a gospel choir in a jazz context. Trumpeter Donald Byrd and a septet that also includes tenor [more]
This is not and cannot be the Complete Cole Porter Songbooks, but it's a marvelous collection of 48 timeless jazz interpretations drawn from the Verve catalog. [more]
One of the giants of American popular song gets his due with this three-disc Verve box, comprising a trio of separately released compilations. Though Mercer's [more]
This CD compilation collects three separate sessions recorded by Donald Byrd and Doug Watkins for Transition with various small groups. The 1955 recordings (first [more]
This expansive four-disc anthology essentially covers the recorded history of the guitar in the 20th century, beginning with the ragtime banjo that set the [more]
Stanley Turrentine is the featured artist in this big band session with an all-star orchestra arranged and conducted by Oliver Nelson. While Nelson's charts are funky and [more]
This two CD collection was originally released as part of Blue Note's 60th Anniversary boxed set. Jimmy Smith, who was signed by Alfred Lion after he [more]
In jazz, ballads have a way of separating the men from the boys and the women from the girls. They show what an improviser is made of emotionally. On ballads, [more]
The first of two CDs of ballads put out by RCA that are meant to attenuate that "special mood," this is a hodgepodge collection of music easily available elsewhere. Starting [more]
Kenny Burrell has been a very consistent guitarist throughout his career. Cool-toned and playing in an unchanging style based in bop, Burrell has always been the epitome of good taste and solid swing. Duke Ellington's favorite guitarist (though he never actually recorded with him), Burrell started playing guitar when he was 12, and he debuted on records with Dizzy Gillespie in 1951. Part of the fertile Detroit jazz scene of the early '50s, Burrell moved to New York in 1956. Highly in demand from the start, Burrell appeared on a countless number of records as a leader and as a sideman. Among his more notable associations were dates with Stan Getz, Billie Holiday, Milt Jackson, John Coltrane, Gil Evans, Sonny Rollins, Quincy Jones, Stanley Turrentine, and Jimmy Smith. Starting in the early '70s, Burrell began leading seminars and teaching, often focusing on Duke Ellington's music. He toured with the Phillip Morris Superband during 1985-1986, and led three-guitar quintets, but generally Kenny Burrell plays at the head of a trio/quartet. ~ Scott Yanow, All Music Guide