Although Joel Dorn's 32 Jazz label mostly concentrates on repackaging reissues from the Muse catalog, there have been some important discoveries. This [more]
This CD draws its material from three different New Orleans jazz sessions recorded for Pearl and Center that feature trombonist Jim Robinson. Due to the somewhat [more]
After a 28-year sabbatical, the most celebrated of John Handy's quintets -- an unorthodox outfit with violin and electric guitar leads and no piano -- held a reunion [more]
Charles Mingus' debut for Columbia, Mingus Ah Um is a stunning summation of the bassist's talents and probably the best reference point for beginners. While there's also a [more]
Capt. John Handy (no relation to the modern altoist John Handy) was unusual in the New Orleans revival movement because he played Dixieland alto influenced by R&B. A veteran who had been playing clarinet on and off in New Orleans since the 1920s (often with his group the Louisiana Shakers), Handy (who switched from clarinet to alto in 1928) was virtually unknown to the outside world until he started recording in the 1960s. During that decade, he played regularly with Kid Sheik Cola's group and the Preservation Hall Jazz Band; toured Europe; and recorded for several labels including GHB, RCA (two interesting records), and the Jazz Crusade label. His enthusiastic and very musical playing made him one of the top New Orleans musicians of the 1960s; "Hindustan" was a favorite feature. ~ Scott Yanow, All Music Guide