John Abercrombie and Ralph Towner have forever been tied to the ECM roster as leaders and individualists, and initially it was hard to imagine their styles being [more]
Unlike the first Gateway album, this CD reissue puts more of an emphasis on the rockish side of guitarist John Abercrombie's style. Abercrombie (who also plays some electric mandolin) [more]
Animato is not so much John Abercrombie's date simply because his name is listed first alphabetically. It is much more the music of Vince Mendoza, who composed six of the eight [more]
John Abercrombie and Andy LaVerne had worked together on a number of occasions with each other, and with bassist Steve LaSpina and drummer Jeff Hirschfield, though Now It [more]
This inspired trio session was recorded with the musicians sharing a single microphone, making for a particularly intimate listening experience. Guitarist [more]
John Abercrombie's longstanding partnership with Mark Feldman has yielded several albums of exquisite music, and Wait Till You See Her is no different. The mood is [more]
If ever anybody deserved a two-disc anthology of his offerings as a solo artist it's fusion drummer Billy Cobham. After making his stellar debut with John [more]
This expansive four-disc anthology essentially covers the recorded history of the guitar in the 20th century, beginning with the ragtime banjo that set the [more]
This sampler has music from four of tenor saxophonist Gato Barbieri's releases for RCA and Flying Dutchman. Included are three of the five numbers originally on Fenix, two [more]
John Abercrombie and Ralph Towner have forever been tied to the ECM roster as leaders and individualists, and initially it was hard to imagine their styles being [more]
In 1973, Argentinean saxophonist Gato Barbieri contemplated a move to a more commercially viable, accessible sound, one that appealed to both North and South American audiences. He moved [more]
Unlike the first Gateway album, this CD reissue puts more of an emphasis on the rockish side of guitarist John Abercrombie's style. Abercrombie (who also plays some electric mandolin) [more]
Animato is not so much John Abercrombie's date simply because his name is listed first alphabetically. It is much more the music of Vince Mendoza, who composed six of the eight [more]
Shabazz captures Cobham's Total Eclipse band in a live setting, and contains two originals, "Shabazz" and "Tenth Pin." The other two songs, "Taurian Matador" and "Red Baron," which debuted [more]
This duo date marks the first occasion during which Andy LaVerne and John Abercrombie played together, so with the impressive results it isn't surprising to learn [more]
John Abercrombie and Andy LaVerne had worked together on a number of occasions with each other, and with bassist Steve LaSpina and drummer Jeff Hirschfield, though Now It [more]
John Abercrombie's tying together of jazz's many threads made him one of the most influential acoustic and electric guitarists of the 1970s and early '80s; his recordings for ECM have helped define that label's progressive chamber jazz reputation. His star has since faded somewhat, due largely to the general conservatism that's come to dominate jazz, though he has remained a vital creative personality. Abercrombie's style draws upon all manner of contemporary improvised music; his style is essentially jazz-based, but he also displays a more-than-passing familiarity with forms that range from folk and rock to Eastern and Western art musics.
Abercrombie attended Boston's Berklee College of Music from 1962 to 1966. While at Berklee, the guitarist toured with bluesman Johnny Hammond. After relocating to New York in 1969, Abercrombie spent time in groups led by drummers Chico Hamilton and Billy Cobham. It was with the latter's Spectrum group that Abercrombie first received widespread attention. Abercrombie's first album as leader was Timeless, a trio album with drummer Jack DeJohnette and keyboardist Jan Hammer. That was followed by Gateway, another trio with DeJohnette and bassist Dave Holland replacing Hammer. Abercrombie's subtle and lyrical style is heard to best effect in small, intimate settings, with the recurring Gateway trio or as captured in duos with fellow guitarist Ralph Towner.
Abercrombie continued to be active as the 21st century opened, releasing Cat 'n' Mouse in 2002, Class Trip in 2004, A Nice Idea (with pianist Andy LaVerne) in 2005, Structures (recorded with a single microphone) in 2006, and Third Quartet in 2007. Wait Till You See Her appeared in 2009. ~ Chris Kelsey, All Music Guide