The Heavyweight Champion is a box set that lives up to its title. Collecting all of John Coltrane's Atlantic recordings, including a fair [more]
One of the most influential forces in jazz, bassist-composer Charles Mingus revered Duke Ellington and showcases Ellington's music on this classic [more]
Eddie "Lockjaw" Davis recorded many albums during the 15 years before his death in 1986; virtually all are recommended. This album is a little-known quartet set with pianist [more]
In the late 1960s and early 1970s, Scott recorded some sessions for Atlantic that were either withdrawn from the market for legal reasons, or unissued entirely. Lost and Found [more]
The Atlantic/Rhino anthology line has delighted novices and angered purists who have balked at what they deem questionable [more]
As part of their 40th anniversary, the Modern Jazz Quartet welcomed ten guest artists to their Celebration CD: Bobby McFerrin (brilliant on
Although Joel Dorn's 32 Jazz label mostly concentrates on repackaging reissues from the Muse catalog, there have been some important discoveries. This [more]
This sampler CD has 11 ballads taken from the Muse catalog that the 32 Jazz label acquired in the mid-1990s. Unfortunately, the liner notes are sparse and the [more]
A jazz-rock pioneer during the late '60s and '70s, Larry Coryell was also a strong performer in a straight-ahead setting, as evidenced by his recordings for Muse during the [more]
This Kenny Burrell compilation from 32 Jazz collects some of the guitarist's best work recorded for the Muse label between 1978 and 1983. Perhaps not the Detroit native's most essential [more]
One of the most prominent producers in pop and jazz, Joel Dorn helmed records from some of the biggest names in music, among them Charles Mingus, Bette Midler and the Allman Brothers Band. He began his career in 1961 as a disc jockey with Philadelphia jazz station WHAT-FM; his radio success led to a meeting with Atlantic Records founder Nesuhi Ertegun, resulting in an offer allowing Dorn to produce the artist of his choice for the company's jazz imprint. He selected flutist Hubert Laws, and the resulting LP, 1964's The Laws of Jazz, proved so successful that by 1967, Dorn was employed at Atlantic full-time as Ertegun's assistant. Working not only as a producer but also in the A&R and marketing departments, he quickly rose to the position of Vice President; the records he helmed were primarily jazz and R&B efforts, informed by a pop sensibility which became his signature. Among Dorn's hits as a producer were Roberta Flack's "The First Time Ever I Saw Your Face" and "Killing Me Softly," Keith Jarrett and Gary Burton, and Midler's debut, The Divine Miss M; he left Atlantic in 1974, going on to work with a wide range of performers including the Neville Brothers, Leon Redbone, Mink DeVille, Lou Rawls and Asleep at the Wheel. During the mid-1980s, Dorn formed Night Records, a label devoted to issuing previously unreleased live material from the likes of Rahsaan Roland Kirk, Cannonball Adderley and Les McCann; in 1995, he formed another reissue label, 32 Records. ~ Jason Ankeny, All Music Guide