Although generally not as celebrated as his Victor recordings of the same period, Duke Ellington's performances for OKeh (late acquired by Columbia) are among the best of the [more]
Draw up a list of some of the top jazz artists of all time, and the legend featured in this recording would likely be at the top of that list. Duke [more]
In conjunction with documentary filmmaker Ken Burns' ten-part 2000 PBS special, Columbia/Legacy and Verve teamed up to issue a special series of reissues covering much of [more]
In conjunction with the release of Ken Burns' ten-part, 19-hour epic PBS documentary {#Jazz}, Columbia issued 22 single-disc compilations devoted to jazz's most significant artists, [more]
The War, directed by Ken Burns, was a seven-part documentary series broadcast on PBS television in 2007, focusing on the experiences of American [more]
Good '20s and '30s tracks with some standout contributions from early Ellingtonians like Bubber Miley, Cootie Williams, Barney Bigard, and Harry Carney. More material from the "jungle" period. ~ Ron Wynn, All Music Guide
Just the fact that Ellington's extended masterpiece "Reminiscing in Tempo" is included here in its original and continuous form is reason enough to pick up this compilation. [more]
This is a clever collection of 25 tracks that either feature the word Harlem in the title (19 of them) or reference it in the lyrics. The CD includes five tracks by Duke Ellington, [more]
One of the most colorful trombonists of all time, Tricky Sam Nanton's expertise with the plunger mute (emitting a large assortment of growls and colorful tones) was a major part of Duke Ellington's original sound and has rarely been duplicated since (although Quentin Jackson sometimes came close). He gained early experience playing with bands led by Cliff Jackson and Elmer Snowden, and recorded with Thomas Morris, but after mid-1926 Nanton was only heard with Duke Ellington's orchestra and small groups; he never led a record date of his own. Nanton made for a perfect team with trumpeter Bubber Miley and, when Miley was replaced by Cootie Williams in 1929, Nanton helped to inspire the younger trumpeter to build on Miley's role. He was well featured on many classic recordings (including "East St. Louis Toodle-oo" and "Black and Tan Fantasy") and was a major attraction with Ellington up until his premature death in 1946. ~ Scott Yanow, All Music Guide