Back in 1978 when this set was recorded, fusion (the mixture of jazz improvisation with rock rhythms) was declining. Keyboardist Joe Sample, best-known for his work with the Crusaders, [more]
If anyone out in CD land ever wondered what a Joe Sample solo piano album would sound like, here it is -- and it's a good bet that this is not what a Sample fan would expect. Rather than [more]
The liner notes for this can't-miss compilation, of a saxman who was putting the "smooth" into jazz long before radio called it that, promise some serious smackin'. [more]
This expansive four-disc anthology essentially covers the recorded history of the guitar in the 20th century, beginning with the ragtime banjo that set the [more]
Jazz Alliance International is a nonprofit organization that works to educate the public about jazz and to make life a little easier for its performers. This CD, which [more]
The inclusion of the Paul Simon title cut (which is pretty catchy) and an 11-minute, four-song "Midnight Cowboy Medley" may make one think that this is a fairly commercial [more]
Blue Bacharach: A Cooler Shaker features Blue Note interpreting Bacharach standards like "Always Something There to Remind Me," "I Say a Little Prayer," and
Though it includes just one track originally released on Blue Note (Kenny Dorham's "Afrodisia"), Latino Blue is a superb collection of Latin jazz spanning the late '50s to the late [more]
The motion picture soundtrack for the movie {#The Visit} is adeptly crafted and captures the mood of the movie through dramatic musical elements. The use of several [more]
A host of contemporary jazz stars fills this excellent compilation of traditional holiday music with smooth jazz inflections; jazzy vocals; and [more]
Although Rhino's four-disc box set, Q: The Musical Biography of Quincy Jones, was released to coincide with Quincy Jones' autobiography, and that's what gives [more]
Steve Tyrell has had a long journeyman's career in the music business, serving as record company executive, songwriter, and producer. But no one could have predicted the twist his [more]
One of the many jazzmen who started out playing hard bop but went electric during the fusion era, Joe Sample was, in the late '50s, a founding member of the Jazz Crusaders along with trombonist Wayne Henderson, tenor saxman Wilton Felder, and drummer Stix Hooper. The Crusaders' debt to Art Blakey's Jazz Messengers wasn't hard to miss -- except that the L.A.-based unit had no trumpeter, and became known for its unique tenor/trombone front line. Sample, a hard-swinging player who could handle chordal and modal/scalar improvisation equally well, stuck to the acoustic piano during the Crusaders' early years -- but would place greater emphasis on electric keyboards when the band turned to jazz-funk in the early '70s and dropped "Jazz" from its name. Though he'd recorded as a trio pianist on 1969's obscure Fancy Dance, 1978's Rainbow Seeker was often described as his first album as a leader. In contrast to the gritty music the Crusaders became known for, Sample's own albums on MCA and, later, Warner Bros. and PRA have generally favored a very lyrical and introspective jazz-pop approach. ~ Alex Henderson, All Music Guide