From his beginnings as a member of the Jazz Crusaders, Hubert Laws has gone full circle as a flutist and tenorman saxman, becoming a force in light classical [more]
A nice date from an earlier Laws period with a harder tone and more traditional jazz direction. ~ Ron Wynn, All Music Guide
George Benson's two-disc Anthology from Rhino ultimately manages to encapsulate Benson's career. These 32 tracks not only highlight the obligatory vocal pop hits "Turn Your [more]
Deodato's debut for CTI, Prelude, earned him a genuine reputation for funky fusion with its groove-tight cover of "Thus Spake Zarathustra," the theme from Stanley Kubrick's {#2001: A Space [more]
For George Benson's second CTI project, producer Creed Taylor and arranger Don Sebesky successfully place the guitarist in a Spanish-flavored setting full of flamenco flourishes, brass fanfares, moody woodwinds and such. The idea works best on
It's impossible to hear Jaco Pastorious' debut album today as it sounded when it was first released in 1976. The opening track -- his transcription for fretless electric bass of the [more]
Baker began his comeback after five years of musical inactivity with this excellent CTI date. Highlights include "Autumn Leaves," "Tangerine," and "With a Song in My Heart." [more]
From his beginnings as a member of the Jazz Crusaders, Hubert Laws has gone full circle as a flutist and tenorman saxman, becoming a force in light classical [more]
Though it includes just one track originally released on Blue Note (Kenny Dorham's "Afrodisia"), Latino Blue is a superb collection of Latin jazz spanning the late '50s to the late [more]
Although Rhino's four-disc box set, Q: The Musical Biography of Quincy Jones, was released to coincide with Quincy Jones' autobiography, and that's what gives [more]
The Essential George Benson covers 28 years and spans two discs, so it lives up to its claim of having the widest scope of all the Benson compilations that surfaced before [more]
In an era when box sets are so plentiful and are basically de rigueur for any major, and some not so major labels, it's virtually a wonder that a Weather Report box set didn't [more]
A talented flutist whose musical interest was never exclusively straight-ahead jazz, Hubert Laws exceeded Herbie Mann in popularity in the 1970s when he recorded for CTI. He was a member of the early Jazz Crusaders while in Texas (1954-1960) and he also played classical music during those years. In the 1960s, Laws made his first recordings as a leader (Atlantic dates from 1964-1966) and gigged with Mongo Santamaria, Benny Golson, Jim Hall, James Moody, and Clark Terry, among many others. His CTI recordings from the first half of the 1970s made Laws famous and were a high point, particularly compared to his generally wretched Columbia dates from the late '70s. He was less active in the 1980s, but has come back with a pair of fine Music Masters sessions in the 1990s. After those releases, a tribute to Nat King Cole arrived in 1998, followed four years later by a stab at Latin jazz, Baila Cinderella. The sharp and cool Moondance appeared in spring 2004. Hubert Laws has the ability to play anything well, but he does not always seem to have the desire to perform creative jazz. ~ Scott Yanow, All Music Guide