Herb Ellis and Charlie Byrd -- two peas in a jazz guitarist's pod if there ever was one -- recorded this date in 1963 and proved how compatible their styles were. Though Ellis [more]
Unusual team; Giuffre (sax) fits in effectively. ~ Ron Wynn, All Music Guide
Herb Ellis is known primarily for playing with small ensembles, so this recording as part of an octet is a departure for the great guitarist. This "all-star" combo includes trumpeter [more]
The title Three Guitars in Bossa Nova Time is misleading in that only two guitars in any instance play the material, while tenor saxophonist Bob Enevoldsen is more [more]
Although it's missing some of her classic performances, the double-disc set Gospels, Spirituals & Hymns is nonetheless an excellent introduction to Mahalia Jackson, [more]
The classic songs of Richard Rodgers and Lorenz Hart are rendered on this outstanding three-disc set, which features vocalists like Billie Holiday, Ella Fitzgerald, [more]
When Mahalia Jackson sings, the angels rejoice and heaven moves slightly closer to earth. Such is the power of this phenomenal gospel singer. [more]
This is not and cannot be the Complete Cole Porter Songbooks, but it's a marvelous collection of 48 timeless jazz interpretations drawn from the Verve catalog. [more]
One of the giants of American popular song gets his due with this three-disc Verve box, comprising a trio of separately released compilations. Though Mercer's [more]
Always; 'S Wonderful; Air Mail Special; The Nearness of You; Soft Winds; Stompin' At the Savoy; Love for Sale; April in Paris; Just One of [more]
Lou Rawls gives a riveting performance on Live!, covering standards from Basie/Rushing's tambourine-jumpin'
This expansive four-disc anthology essentially covers the recorded history of the guitar in the 20th century, beginning with the ragtime banjo that set the [more]
Blue Note Plays the Beatles contains 11 previously released performances by jazz artists dipping into the Lennon/McCartney songbook. When deciding to cover such [more]
Some would undercut Page's greatness by merely calling him an Armstrong imitator who spent more time singing than blowing. But this best-of overview shows him to be a fine bandleader, [more]
An excellent bop-based guitarist with a slight country twang to his sound, Herb Ellis became famous playing with the Oscar Peterson Trio during 1953-1958. Prior to that, he had attended North Texas State University and played with the Casa Loma Orchestra, Jimmy Dorsey (1945-1947), and the sadly under-recorded trio Soft Winds. While with Peterson, Ellis was on some Jazz at the Philharmonic tours and had a few opportunities to lead his own dates for Verve, including his personal favorite, Nothing but the Blues (1957). After leaving Peterson, Ellis toured a bit with Ella Fitzgerald; became a studio musician on the West Coast; made sessions with the Dukes of Dixieland, Stuff Smith, and Charlie Byrd; and in the 1970s became much more active in the jazz world. He is on the first three Concord releases, interacting with Joe Pass on the initial two, and toured with the Great Guitars (along with Byrd and Barney Kessel) through much of the 1970s into the '80s. After a long series of Concord albums, Herb Ellis cut a couple of excellent sessions in the 1990s for Justice, as well as 1999's Burnin' on Acoustic Music. ~ Scott Yanow, All Music Guide