Seventy-one at the time of this quintet set, veteran trumpeter Harry "Sweets" Edison was no longer in prime form. He still played in a similar style as he [more]
The classic songs of Richard Rodgers and Lorenz Hart are rendered on this outstanding three-disc set, which features vocalists like Billie Holiday, Ella Fitzgerald, [more]
One of the giants of American popular song gets his due with this three-disc Verve box, comprising a trio of separately released compilations. Though Mercer's [more]
Some would undercut Page's greatness by merely calling him an Armstrong imitator who spent more time singing than blowing. But this best-of overview shows him to be a fine bandleader, [more]
In jazz, ballads have a way of separating the men from the boys and the women from the girls. They show what an improviser is made of emotionally. On ballads, [more]
After several years of hearing criticism from the jazz press about his decision to break up his trio and become a pop singer, Nat "King" Cole was persuaded [more]
Lambert, Hendricks and Ross made their debut on Columbia in 1959, and this CD contains not only all of the music from their first CBS album, but five titles from two [more]
"3-1/2 stars (out of 5) — even today the sheer vocal athletics involved are astounding." —Down Beat
The immortal vocal jazz group Lambert, Hendricks & Ross recorded five albums during its career: one apiece for Impulse! and World Pacific and three [more]
As a leader, Charlie Parker recorded for Savoy and Dial during 1945-1948 and then for Verve exclusively (at least in the studios) during 1949-1954. This [more]
Benny Carter, who largely retired in 1997 after he turned 90, had possibly the longest career of any major jazz musician. A distinctive alto-saxophonist, an [more]
As part of their 40th anniversary, the Modern Jazz Quartet welcomed ten guest artists to their Celebration CD: Bobby McFerrin (brilliant on
Harry "Sweets" Edison got the most mileage out of a single note, like his former boss Count Basie. Edison, immediately recognizable within a note or two, long used repetition and simplicity to his advantage while always swinging. He played in local bands in Columbus and then in 1933 joined the Jeter-Pillars Orchestra. After a couple years in St. Louis, Edison moved to New York where he joined Lucky Millinder and then in June 1938, Count Basie, remaining with that classic orchestra until it broke up in 1950. During that period, he was featured on many records, appeared in the 1944 short Jammin' the Blues and gained his nickname "Sweets" (due to his tone) from Lester Young. In the 1950s, Edison toured with Jazz at the Philharmonic, settled in Los Angeles, and was well-featured both as a studio musician (most noticeably on Frank Sinatra records) and on jazz dates. He had several reunions with Count Basie in the 1960s and by the '70s was often teamed with Eddie "Lockjaw" Davis; Edison also recorded an excellent duet album for Pablo with Oscar Peterson. One of the few swing trumpeters to be influenced by Dizzy Gillespie, Sweets led sessions through the years for Pacific Jazz, Verve, Roulette, Riverside, Vee-Jay, Liberty, Sue, Black & Blue, Pablo, Storyville, and Candid among others. Although his playing faded during the 1980s and '90s, Edison could still say more with one note than nearly anyone; he died July 27, 1999, at age 83. ~ Scott Yanow, All Music Guide