Both part-time jump-and-jivers and full-time swing aficionados will find something to dig on the classics-and-curiosities-laden Swingin' at Capitol, a [more]
This Living Era portrait of Red Norvo presents some of the very best recordings he made between 1933 and 1946. The journey begins with three early "chamber music" sides featuring [more]
When one thinks of the great songwriters of the golden era of the popular song (1910-60), such names as George [more]
The stellar A Touch of the Blues pairs Lee Wiley with an exceptional band led by trumpeter Billy Butterfield, whose warm, beautiful tone proves a sympathetic counterpoint to Al Cohn [more]
This nearly 40-year-old LP also puts the emphasis on Louis Armstrong's singing, and even he cannot do much with songs like "I Laughed at Love," "Takes Two to Tango" and [more]
The Proper label continues its stellar jazz box-set series with this mammoth four-disc survey of drummers from early jazz to [more]
Boasting a charismatic voice that had an amazing emotional range, Mildred Bailey is one of the more underrated talents of the jazz era. On the Complete Columbia [more]
An outstanding swing clarinetist, Hank D'Amico switched to that instrument from violin in high school. He began playing professionally with Paul Specht's band in 1936, then that same year joined Red Norvo. After two years, D'Amico began radio broadcasts with his own octet before returning briefly to Norvo's group in 1939. He played with Bob Crosby's orchestra in 1940 and 1941, then had his own big band about a year. D'Amico had short stints in the bands of Les Brown, Benny Goodman and Norvo again before working for CBS in New York. He also found time to play with Miff Mole and Tommy Dorsey. D'Amico spent ten years as a staff musician for ABC, and then played with Jack Teagarden in 1954. From that part he mostly worked with small groups, infrequently forming his own band. D'Amico played at the 1964 World's Fair in New York with The Morey Field trio. ~ Ron Wynn, All Music Guide