One of the giants of American popular song gets his due with this three-disc Verve box, comprising a trio of separately released compilations. Though Mercer's [more]
Eddie "Lockjaw" Davis recorded many albums during the 15 years before his death in 1986; virtually all are recommended. This album is a little-known quartet set with pianist [more]
Bossa Antigua picks up the samba-based rim shots of drummer Connie Kay on Take Ten and tries to make a whole new record out of them. While the title track duplicates the original [more]
This is one of pianist John Lewis' most rewarding albums outside of his work with the Modern Jazz Quartet. Three numbers (including a remake of "Two Degrees East, Three Degrees [more]
The CD reissues of the two albums titled The Amazing Bud Powell put the important recordings in chronological order (which they weren't in the LP versions) and add some [more]
This CD contains 24 selections, so one cannot complain about its brevity, but it would have been preferable to have Sarah Vaughan's Roulette albums reissued in full (a few have been) [more]
This five-CD deluxe set contains an impressive 150-page booklet and reissues every scrap of music that the innovative pianist Bud Powell recorded for Verve. The first disc [more]
This CD sampler draws its 18 selections from the Blue Note, Pacific Jazz, Roulette, Solid State and Capitol vaults. There are two selections apiece [more]
This sampler CD has 11 ballads taken from the Muse catalog that the 32 Jazz label acquired in the mid-1990s. Unfortunately, the liner notes are sparse and the [more]
Jazz giants like Jack McDuff, Sonny Stitt, Kenny Burrell, and Bobby Hutcherson all contribute tracks and brush shoulders with jazz middleweights like Wallace [more]
A consistently engaging, impressive bassist, George Duvivier's solo specialty was playing fast notes in the upper register, while providing steady, deep accompaniment and sharp, strong playing in an ensemble situation. Though he seldom took a leadership role, he was a premier session, studio and section contributor, flexible enough to handle jam sessions, combo, studio or live dates. During his career, he worked with swing, bop, and cool players, even the adventurous Eric Dolphy. Duvivier studied violin at the Conservatory of Music and Art in New York and became assistant concertmaster of The Central Manhattan Symphony Orchestra at 16. He switched to bass, later studying composition at New York University. Duvivier played with Coleman Hawkins, Eddie Barefield and Lucky Millinder in the early '40s, then went into the army. After his discharge, he was Jimmie Lunceford's staff arranger from 1945 to 1947, then joined Sy Oliver's big band, doubling as bassist and arranger. During the '50s, Duvivier toured Europe extensively with Lena Horne and Nellie Lutcher, and played on many film soundtracks, commercial jingles and television shows. He made a rare date as a leader for the French Coronet label in 1956, playing with Martial Solal. Duvivier stayed busy with jazz dates, playing with Bud Powell from 1953 to 1957, and recording and playing with Chico Hamilton, Benny Goodman, Oliver Nelson, Shelly Manne, Count Basie/Joe Williams, Frank Sinatra, Clark Terry, Ben Webster, Bob Wilber and Dolphy. He toured with Hank Jones and Benny Carter during the late '70s. Duvivier also recorded with duos Al Cohn and Zoot Sims and Sims with Joe Venuti, plus Warren Vache and Jones. He died in 1985. ~ Ron Wynn, All Music Guide