This is basically a Charlie Parker album that Miles Davis plays on, largely consisting of old Dial masters. Only on the August 1947 session is Davis listed as leader -- the date which [more]
This album is perhaps most significant for the process it set in motion -- the collaboration between Gil Evans and Miles Davis that would produce Porgy and Bess and Sketches of Spain, two [more]
This recording was not only Louis Armstrong's finest record of the 1950s but one of the truly classic jazz sets. Armstrong and his All-Stars [more]
Altoist Paul Desmond and baritonist Gerry Mulligan always made for a perfect team during their infrequent collaborations. Both of the saxophonists had immediately [more]
Louis Armstrong and Fats Waller only worked together twice, briefly in 1925 in Erskine Tate's band and four years later in the New York [more]
Although released in the usually consistent Columbia Jazz Masterpieces series, this recording is a mere sampler of trombonist J.J. Johnson's 1957-60 recordings. The nine selections [more]
This CD contains the original LP of the same name plus two previously unissued songs ("Very Good Advice" and "So This Is Love"). Inspired by a trip with his family to Disneyland, [more]
This excellent CD reissues the LP Brubeck Time plus half of Red Hot and Cool. One of the few early studio (as opposed to club) recordings by [more]
Dave Brubeck (piano) began his Columbia Records association on a second album of material that his quartet had cut during its spring of 1954 tour of North American [more]
Bossa Antigua picks up the samba-based rim shots of drummer Connie Kay on Take Ten and tries to make a whole new record out of them. While the title track duplicates the original [more]
George Avakian's contributions to jazz have been huge through the years. He was a jazz critic as early as 1937, wrote about jazz for Mademoiselle and Pic during 1946-48, helped revise Charles Delauney's famous Hot Discography when it was first published in the U.S. in 1948 and contributed to both Down Beat and Metronome. Avakian's greatest importance is as a producer. He put together one of the first jazz albums (Chicago Jazz) for Decca in 1940. Soon afterwards he began producing jazz records for Columbia, becoming quite influential in the 1950s when he also worked for the popular music department. Among the many artists who he worked closely with were Louis Armstrong, Dave Brubeck, Duke Ellington and Miles Davis, and he frequently penned insightful liner notes. After leaving Columbia in 1958, Avakian worked for World Pacific, Warner Bros. and RCA, freelanced with many other labels, was an important supporter of the Charles Lloyd Quartet and recently celebrated 60 years in the jazz business. ~ Scott Yanow, All Music Guide