One of the most influential forces in jazz, bassist-composer Charles Mingus revered Duke Ellington and showcases Ellington's music on this classic [more]
Although Rhino's four-disc box set, Q: The Musical Biography of Quincy Jones, was released to coincide with Quincy Jones' autobiography, and that's what gives [more]
Along with its companion volume Changes One, this is one of the great sessions from one of the best working bands of the 1970s. Starting with the spirited
Although the Harlem Boys Choir is occasionally utilized, and Pat Peterson takes a soulful vocal on "The Inner Voice," this CD is very much trumpeter Marvin "Hannibal" [more]
McCoy Tyner has fronted many mid-sized ensembles, but this one ranks with the very best he has led. As violinist John Blake jives and jousts with alto and soprano saxophonist Joe [more]
If any label has the means to exploit its catalog, it's Rounder, and in its Perfect Ten series, the label picked ten of its best-known artists and chose [more]
A passionate tenor and flute player who was not shy to break up chordal improvising with an unexpected scream or roar, George Adams was an original voice who (like his friend Don Pullen) crossed over several stylistic boundaries. He started on piano, but by the time he was in high school he was playing tenor in funk bands. In 1961, he toured with Sam Cooke, and in 1963 Adams moved to Ohio where he played with organ groups for the next few years. In 1968, he relocated to New York where he played with Roy Haynes, Gil Evans, and Art Blakey, among others. However, it was his association with Charles Mingus (1973-1976) that gave him his initial fame. After playing a bit with McCoy Tyner, Adams co-led a stimulating quartet with Don Pullen that made many records. Late in life, Adams (who enjoyed taking an occasional raspy blues vocal) teamed up with James Blood Ulmer in the group Phalanx, and occasionally played with Mingus Dynasty. ~ Scott Yanow, All Music Guide