Freddie Hubbard
Albums
![Red Clay [Bonus Track]](/cache/JHS/g5/130x130_on-sale_g58897panv0.png)
This may be Freddie Hubbard's finest moment as a leader in that it embodies and utilizes all of his strengths as a composer, soloist, and frontman. On Red Clay, Hubbard [more]
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![Hub-Tones [Bonus Tracks]](/cache/JHS/c6/130x130_on-sale_c64319y7h58.png)
Trumpeter Freddie Hubbard teams up on record with James Spaulding (who doubles on alto and flute) for the first time on this excellent set. With the assistance of pianist [more]
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![Hub Cap [Bonus Tracks]](/cache/JHS/f6/130x130_on-sale_f67090xbvry.png)
On Hub Cap, his third effort as a leader, Freddie Hubbard sticks to the tried-and-true hard bop formula, which is something of a mixed blessing. There's no question that much [more]
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![Live at Fat Tuesday [Music Masters]](/cache/JHS/c5/130x130_on-sale_c59122sr1fk.png)
This live double CD is a bit odd. Trumpeter Freddie Hubbard's once beautiful tone was definitely on the decline by this point, which is particularly noticeable [more]
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Trumpeter Freddie Hubbard leads a particularly talented sextet (with trombonist Curtis Fuller, a rare outing away from Sun Ra for tenor saxophonist John Gilmore, [more]
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One of Freddie Hubbard's few decent efforts during his very commercial period with Columbia, this LP found his quintet (with tenor-saxophonist Junior Cook and keyboardist George [more]
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Trumpeter Freddie Hubbard, whose Atlantic recordings had straddled the boundary between hard bop and the avant-garde, sticks to bebop on this excellent recording. Performing in a [more]
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Trumpeter Freddie Hubbard teams up on record with James Spaulding (who doubles on alto and flute) for the first time on this excellent set, with the assistance of pianist Herbie [more]
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Imagine hearing trumpeter Freddie Hubbard sing! Truth be told he only joins in on the group vocal of "Put It in the Pocket" but that is about the only historic aspect to this [more]
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Appearances
There is an order to what I do. -Ornette Coleman
As jazz's first extended, continuous free improvisation LP, Free Jazz practically defies superlatives in its historical importance. Ornette [more]
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Out to Lunch stands as Eric Dolphy's magnum opus, an absolute pinnacle of avant-garde jazz in any form or era. Its rhythmic complexity was perhaps unrivaled since Dave Brubeck's Time [more]
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Herbie Hancock's debut as a leader, Takin' Off, revealed a composer and pianist able to balance sophistication and accessibility, somewhat in the vein of Blue Note's prototype hard [more]
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He is still a master. -Herbie Hancock
On his third date for Blue Note within a year, Wayne Shorter changed the bands that played on both Night Dreamer and Juju and came up with not only another winner, but also managed to [more]
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The Heavyweight Champion is a box set that lives up to its title. Collecting all of John Coltrane's Atlantic recordings, including a fair [more]
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This may be Freddie Hubbard's finest moment as a leader in that it embodies and utilizes all of his strengths as a composer, soloist, and frontman. On Red Clay, Hubbard [more]
- List Price: $16.98
- Member Price: $4.98
Vibraphonist Milt Jackson recorded three albums for CTI in the early '70s; this album is the best of the trio. The Don Sebesky arrangements for the strings showcase Jackson well, trumpeter [more]
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He is still a master. -Herbie Hancock
With such titles as "The All Seeing Eye," "Genesis," "Chaos," "Face of the Deep," and "Mephistopheles," it is clear from the start that the music on this CD reissue is not basic bop [more]
- List Price: $17.98
- Member Price: $11.98
Trumpeter Freddie Hubbard teams up on record with James Spaulding (who doubles on alto and flute) for the first time on this excellent set. With the assistance of pianist [more]
- List Price: $16.98
- Member Price: $11.98
On Hub Cap, his third effort as a leader, Freddie Hubbard sticks to the tried-and-true hard bop formula, which is something of a mixed blessing. There's no question that much [more]
- List Price: $16.98
- Member Price: $11.98
Biography
- Born Apr 7th 1938 in Indianapolis, IN
- Died Dec 29th 2008 in Los Angeles, CA
- Styles
- Soul Jazz
- Instrument(s)
One of the great jazz trumpeters of all time, Freddie Hubbard formed his sound out of the Clifford Brown/Lee Morgan tradition, and by the early '70s was immediately distinctive and the pacesetter in jazz. However, a string of blatantly commercial albums later in the decade damaged his reputation and, just when Hubbard, in the early '90s (with the deaths of Dizzy Gillespie and Miles Davis), seemed perfectly suited for the role of veteran master, his chops started causing him serious troubles.
Born and raised in Indianapolis, Hubbard played early on with Wes and Monk Montgomery. He moved to New York in 1958, roomed with Eric Dolphy (with whom he recorded in 1960), and was in the groups of Philly Joe Jones (1958-1959), Sonny Rollins, Slide Hampton, and J.J. Johnson, before touring Europe with Quincy Jones (1960-1961). He recorded with John Coltrane, participated in Ornette Coleman's Free Jazz (1960), was on Oliver Nelson's classic Blues and the Abstract Truth album (highlighted by "Stolen Moments"), and started recording as a leader for Blue Note that same year. Hubbard gained fame playing with Art Blakey's Jazz Messengers (1961-1964) next to Wayne Shorter and Curtis Fuller. He recorded Ascension with Coltrane (1965), Out to Lunch (1964) with Eric Dolphy, and Maiden Voyage with Herbie Hancock, and, after a period with Max Roach (1965-1966), he led his own quintet, which at the time usually featured altoist James Spaulding. A blazing trumpeter with a beautiful tone on flügelhorn, Hubbard fared well in freer settings but was always essentially a hard bop stylist.
In 1970, Freddie Hubbard recorded two of his finest albums (Red Clay and Straight Life) for CTI. The follow-up, First Light (1971), was actually his most popular date, featuring Don Sebesky arrangements. But after the glory of the CTI years (during which producer Creed Taylor did an expert job of balancing the artistic with the accessible), Hubbard made the mistake of signing with Columbia and recording one dud after another; Windjammer (1976) and Splash (a slightly later effort for Fantasy) are low points. However, in 1977, he toured with Herbie Hancock's acoustic V.S.O.P. Quintet and, in the 1980s, on recordings for Pablo, Blue Note, and Atlantic, he showed that he could reach his former heights (even if much of the jazz world had given up on him). But by the late '80s, Hubbard's "personal problems" and increasing unreliability (not showing up for gigs) started to really hurt him, and a few years later his once mighty technique started to seriously falter. In late 2008, Hubbard suffered a heart attack that left him hospitalized until his death at age 70 on December 29 of that year.Freddie Hubbard's fans can still certainly enjoy his many recordings for Blue Note, Impulse, Atlantic, CTI, Pablo, and his first Music Masters sets. ~ Scott Yanow, All Music Guide
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