Although Rhino's four-disc box set, Q: The Musical Biography of Quincy Jones, was released to coincide with Quincy Jones' autobiography, and that's what gives [more]
"This anthology of songs reminds me of the strength of one woman and the way that her voice will resonate forever and remind us why we have to say SOMETHING, speak the truth, talk from the heart and let our passion for the Greater Good drive us to be a little bit more like the illustrious Nina Simone: Bold, Brave, Gifted, Black AND Beautiful." —Alicia Keys
Forever Young, Gifted & Black: Songs of Freedom and Spirit is a textbook case for preparing a compilation by a single artist, thematically. [more]
Nina Simone Sings the Blues, issued in 1967, was her RCA label debut, and was a brave departure from the material she had been recording for Phillips. [more]
John Lee Hooker was an active recording artist for roughly 50 years -- active in that not only did he record steadily, but he actively jumped from label to label, recording for [more]
One of the many compilations issued in the wake of James Brown's passing in 2007 is this rather strange and necessary one produced by Alan Leeds and Harry Weinger. There's no irony in the [more]
With the exception of four numbers taken from a 1957 set in which he heads a quintet co-starring organist Jackie Davis, this CD consists of a dozen songs taken from a [more]
When he wasn't playing in Duke Ellington's band or with the Johnny Hodges Orchestra, tenor saxman Big Al Sears was cutting R&B and rock & roll numbers leading his own group or as a [more]
There's no question that Nina Simone is richly deserving of a three-CD (plus one DVD), 51-song box set such as To Be Free. From the late '50s until her death, she was one of the great [more]
Delmark Records is more than an institution in the jazz and blues world. Founder and owner Bob Koester celebrated 55 years by issuing two collections of seminal blues and jazz [more]
This keyboardist was already well established as a session player by the early '40s, backing up singers and vocal groups in styles that would eventually become established with almighty genre terms such as R&B, funk, and soul. Performer and songwriter Otis Blackwell is considered an innovator in all of these styles as well as straight and simple rock & roll; Ernie Hayes, sometimes credited more formally as Ernest Hayes, played piano and organ on 1942 Blackwell sides as part of the regular albeit stupendous rhythm section that also includes guitarist Mickey Baker, bassist Milt Hinton, and drummer Specs Powell.
To account in detail about every session Hayes participated in over nearly the next four decades would most likely force a library shelf to sag. There had been, according to trusty discographical sources, nearly 200 recording sessions involving Ernie Hayes by the late '80s. He shows up on records by James Brown, Nina Simone, Mickey & Sylvia, Screamin' Jay Hawkins, Jackie Wilson, Aretha Franklin, Ian & Sylvia, and Sam Cooke. He was also known to have a hand in arrangements, sometimes formally and sometimes informally in well-worn rhythm section relationships that relied more on spontaneous setups. As a composer, Hayes had a Latin touch and seemed to enjoy Spanish titles, including the dark, scenty "Flores de Noche" and the moving "Vaya," both of which were recorded by bandleader Ray Barretto. ~ Eugene Chadbourne, All Music Guide