This is not an album for those die-hard bossa fans. These popular Jobim tunes all were revisited by Elias with the goal of bridging the gap between Brazilian music and jazz; [more]
My intention for this recording is not only to present some of the innumerable sounds and rhythms of North, Central and South America but also to capture the musical essence of each America and combine their various rhythms and sounds to beat as one heart. -Eliane Elias
Two sides of Eliane Elias are on display on this CD. She is heard as an effective soft-toned singer of bossa nova and (particularly on the last few numbers) as a strong post-bop jazz [more]
This best-of collection tellingly starts off with four consecutive tracks from Elias' 1991 album A Long Story. The disc doesn't get out from under the wordless [more]
Eliane Elias' debut as a leader (she had been a member of Steps Ahead) finds her abandoning the electric keyboards in favor of acoustic piano. On seven songs she is joined by bassist [more]
Eliane Elias' second record for Bluebird is, like the previous Kissed by Nature, a vocal date intended for crossover audiences. Elias connects with her Brazilian pop heritage by choosing to [more]
Eliane Elias has moved further and further into mainstream pop in recent years, and Around the City continues that course. Having begun as a member of the jazz ensemble Steps Ahead, [more]
This CD has ten performances of Christmas songs from 1990 plus a few earlier recordings (Chet Baker's "Winter Wonderland," Count Basie's "Jingle Bells," Dexter Gordon's "Have [more]
This is not an album for those die-hard bossa fans. These popular Jobim tunes all were revisited by Elias with the goal of bridging the gap between Brazilian music and jazz; [more]
My intention for this recording is not only to present some of the innumerable sounds and rhythms of North, Central and South America but also to capture the musical essence of each America and combine their various rhythms and sounds to beat as one heart. -Eliane Elias
Two sides of Eliane Elias are on display on this CD. She is heard as an effective soft-toned singer of bossa nova and (particularly on the last few numbers) as a strong post-bop jazz [more]
This is one of the better Christmas jazz collections available. The 15 selections each utilize different artists and were recorded especially for this CD. Kurt Elling's version of [more]
The Best Blue Note Album in the World Ever may boast a silly title, but it's hard to argue with what's on this double-disc sampler. Not all of the label's [more]
This best-of collection tellingly starts off with four consecutive tracks from Elias' 1991 album A Long Story. The disc doesn't get out from under the wordless [more]
The third of tenor-saxophonist Joe Henderson's tribute CDs on Verve was originally supposed to be a collaboration with the great bossa nova [more]
The sequel to the popular The Girl from Ipanema anthology basically reshuffles the deck, duplicating nine of the earlier CD's songs and adding six new [more]
Eliane Elias' debut as a leader (she had been a member of Steps Ahead) finds her abandoning the electric keyboards in favor of acoustic piano. On seven songs she is joined by bassist [more]
Eliane Elias' second record for Bluebird is, like the previous Kissed by Nature, a vocal date intended for crossover audiences. Elias connects with her Brazilian pop heritage by choosing to [more]
The classical tradition meets the spontaneity of jazz through the virtuosic playing of Brazil-born and New York-based pianist Eliane Elias. A former member of jazz ensemble Steps Ahead, Elias has continued to explore two distinct musical streams through her solo recordings and her performances for the past decade. In 1993, she became one of the few artists to simultaneously release jazz and classical albums. In a review of a concert in her homeland, Brazzil magazine praised Elias for "her dazzling right hand runs, executed often at frightening speeds. Her command of the keyboard was total. Her harmonic sensibility caused a sense of wondermint." Elias inherited her musical talents from her mother, Lucy, a classical pianist who often played jazz records in the family home. After studying for six years at the Free Center of Music Apprenticeship in Sao Paulo, she continued to study classical technique with Amilton Godoy and Amaral Vieria. By her teens, Elias was composing her own pieces and performing in jazz clubs. While touring in Europe in 1981, she met jazz bassist Eddie Gomez and was encouraged to travel to New York. Arriving in the Big Apple the following year, she studied privately with Olegna Fuschi at the Juilliard School of Music. Elias' professional career received a boost when she was invited to join Steps Ahead, a jazz "supergroup" featuring Michael Brecker, Peter Erskine, Mike Manieri, and Eddie Gomez. She recorded one album with the group -- Steps Ahead -- in 1983. Shortly after leaving Steps Ahead, Elias began collaborating with trumpet player Randy Brecker, whom she subsequently married. Their sole duo album, released in 1985, was named after their daughter Amanda. The following year, Elias launched her career as a bandleader. Since then, she's alternated tours with two different trios, one featuring Jack DeJohnette and Gomez and the other featuring Erskine and Marc Johnson. Elias has also performed with a third trio, featuring Marc Johnson on bass and Satoshi Takeshi on drums. Her 1995 album Solos and Duets featured a brilliantly executed duet with Herbie Hancock. While most of her recordings have been instrumental, Elias introduced her soft but coarse vocals on her 1989 album Eliane Elias Plays Jobim. In addition to working periodically with Toots Thielman's Brasil Project, Elias has served as musical director for Gilberto Gil's group. ~ Craig Harris, All Music Guide