The first classic album by the Horace Silver Quintet, this CD is highlighted by {"Señor Blues"} (heard in three versions, including a later vocal rendition by Bill [more]
Fuego -- a title that might be somewhat misleading -- is the final Blue Note recording exclusively pairing Donald Byrd with Jackie McLean, a fruitful partnership that set the yin of the (in [more]
This CD compilation collects three separate sessions recorded by Donald Byrd and Doug Watkins for Transition with various small groups. The 1955 recordings (first [more]
"My whole life has been dedicated to the achievement of some important breakthroughs." —Sonny Rollins
Blue Note has done an admirable job of collecting the mellow material of a number of classic players for its Ballads series. Sonny Rollins' entry, like the others, finds the tenor in a [more]
Yusef Lateef, who is still active today at age 89, is a quiet innovator. Although he first emerged as a tenor-saxophonist with the Dizzy Gillespie Big Band in [more]
Curious listeners who encounter Lee Morgan for the first time through this single-disc anthology will come away mightily impressed, even inspired, but they will be hearing only the [more]
A true classic, this CD found pianist Horace Silver and drummer Art Blakey co-leading the Jazz Messengers; Silver would leave a year later [more]
The Atlantic/Rhino anthology line has delighted novices and angered purists who have balked at what they deem questionable [more]
Tina Brooks' first session for Blue Note was recorded in March of 1958, a month after he appeared on Jimmy Smith's sessions for The Sermon and House Party, but the music wasn't released at [more]
Career-spanning retrospectives are always difficult to pull off in jazz, since the music is often about the moment. An artist can peak for a few years, and that's what's worth hearing [more]
A very in-demand bassist for recording sessions (especially when Paul Chambers, his cousin by marriage, was not available), Doug Watkins was a basic soloist but a superb accompanist. After gaining experience as one of many very talented Detroit jazzmen in the local scene, touring with James Moody (1953) and playing with Barry Harris Trio, Watkins settled in New York in 1954. He was a member of the original version of the Jazz Messengers from 1955-1956, spent a year with Horace Silver Quintet, and then freelanced with a who's who of hard bop, including Sonny Rollins, Jackie McLean, Donald Byrd, Lee Morgan, Gene Ammons, Art Farmer, Kenny Burrell, Phil Woods, and Hank Mobley, among many others. He was Charles Mingus' choice to play bass in his 1961 group when Mingus was temporarily specializing on piano. Tragically, a car accident ended his life at age 27. Doug Watkins led a session apiece for Transition (1960) and New Jazz (1960), playing some cello on the latter. ~ Scott Yanow, All Music Guide