As any Monk aficionado knows, his solo piano performances were wonderful, idiosyncratic, living works of art that often wound up [more]
My heart is still with jazz. -Nat King Cole, 1952
Even though by the mid-'50s he'd already established himself as a multi-talented entertainer, this collection of piano-centric instrumentals would be the first [more]
Excellent tribute work from The American Jazz Orchestra, an assemblage of masterful talents that unfortunately had to disband due to a [more]
Tenor saxophonist Loren Schoenberg led a part-time swing orchestra throughout the 1980s. This definitive set finds his big band playing an arrangement apiece [more]
One of the many Benny Carter recordings cut after he returned to jazz on a full-time basis in the mid-'70s, this double-LP set is the jewel among [more]
At times sounding indistinguishable soloing side by side, trombonists Kai Winding and J.J. Johnson gained unexpected fame from a series of collaborative efforts cut during the [more]
Once again, Legacy has taken one of Thelonious Monk's seminal Columbia albums -- this one named for its timing with the appearance of his face upon a Time magazine [more]
Most of Sarah Vaughan's Columbia recordings were on the commercial side, but not the memorable selections on this wonderful CD reissue. She recorded eight selections in 1950 [more]
This essential single-CD combines altoist/arranger Benny Carter's classic Further Definitions with the related Additions to Further Definitions. The former set was [more]
This Impulse set (which was given the catalog number of A-1 when it first came out) was the first recorded reunion of trombonists J.J. Johnson and Kai Winding. Given a [more]
A versatile pianist and arranger, Dick Katz has been responsible for many stimulating and memorable recordings through the years, often as an important sideman and/or producer. He studied at the Peabody Institute, the Manhattan School of Music, and Juilliard, in addition to taking piano lessons from Teddy Wilson. In the 1950s, he picked up important experience as a member of the house rhythm section of the {Café Bohemia}, with the groups of Ben Webster and Kenny Dorham, the Oscar Pettiford big band, and later with Carmen McRae. Katz was part of the popular J.J. Johnson/Kai Winding Quintet (1954-1955) and Orchestra USA and participated on Benny Carter's classic Further Definitions album. He has freelanced throughout much of his career and was a guiding force behind some of Helen Merrill's finest recordings. Katz, who played with Roy Eldridge and Lee Konitz starting in the late '60s, co-founded Milestone Records in 1966 with Orrin Keepnews. In the 1990s, Dick Katz worked both as a pianist and an arranger with the American Jazz Orchestra and Loren Schoenberg's big band. Unfortunately, he has not recorded all that frequently as a leader, cutting fairly obscure dates for Atlantic (1957 and 1959), BeeHive (1984), and Reservoir (1992), but the jazz world is well aware of his talents. ~ Scott Yanow, All Music Guide