Master saxophonist David Sanborn makes an astounding label debut with Time Again, and once again reminds his fans that he is firmly established as one of jazz's best alto saxophonists. [more]
Altoist David Sanborn has long been one of the leaders of what could be called rhythm & jazz (R&B-oriented jazz). His debut for Warner Brothers was a major commercial success and helped [more]
During the 13 years he spent recording for Warner Bros., David Sanborn had more than his share of artistic triumphs, but at times wasted his considerable talents on [more]
During 1975-1982, Michael Brecker and his brother Randy regularly teamed together as the Brecker Brothers, generally playing R&B/funk with Randy's trumpet often [more]
It's impossible to hear Jaco Pastorious' debut album today as it sounded when it was first released in 1976. The opening track -- his transcription for fretless electric bass of the [more]
When a producer studs an artist's debut with an impressive all star guest list, he runs the risk of overshadowing the leader. Not the case with a new CD by Gil Parris. Although half of [more]
While this two-CD set does cover a lot of the material Maynard Ferguson recorded between the mid-'50s and late '90s, it suffers from a chronological imbalance that [more]
As the Manhattan Transfer went on, so did the legacy of the jazz vocal ensemble. In that regard, though the competition was scarce, this group did elevate the [more]
Master saxophonist David Sanborn makes an astounding label debut with Time Again, and once again reminds his fans that he is firmly established as one of jazz's best alto saxophonists. [more]
Sleepwalk is slightly better than Strikes Twice thanks in part to the absence of Larry Carlton's toneless singing. "Last Nite" and "10:00 P.M." have become staples in Carlton's live set. [more]
Long out of print, this is a welcome return for one of Mac Rebennack's most overlooked gems. It's not simply because of the quality of musicians here (people like guitarist Hugh McCracken, [more]
Bob Berg's third release as a leader (released on a Japanese Denon CD) was his first fairly commercial date. Doubling on tenor and soprano but not sounding too distinctive on either, Berg [more]
David Sanborn has been the most influential saxophonist on pop, R&B, and crossover players of the past 20 years. Most of his recordings have been in the dance music/R&B vein, although Sanborn is a capable jazz player. His greatest contributions to music have been his passionate sound (with its crying and squealing high notes) and his emotional interpretations of melodies which generally uplift any record he is on. Unlike his countless number of imitators, Sanborn is immediately recognizable within two notes. While growing up in St. Louis, Sanborn played with many Chicago blues greats (including Albert King) and became a skilled alto saxophonist despite battling polio in his youth. After important stints with Paul Butterfield (he played with the Butterfield Blues Band at Woodstock), Gil Evans, Stevie Wonder, David Bowie, and the Brecker Brothers, Sanborn began recording as a leader in the mid-'70s and he racked up a string of pop successes. Over the years he has worked with many pop players but he has made his biggest impact leading his own danceable bands. Occasionally Sanborn throws the music world a curve: his eccentric but rewarding Another Hand, a guest stint with avant-gardist Tim Berne on a 1993 album featuring the compositions of Julius Hemphill, and a set of ballads (Pearls) on which he is accompanied by a string orchestra arranged by Johnny Mandel. For a couple years in the early '90s, Sanborn was the host of the syndicated television series {#Night Music} which had a very eclectic lineup of musicians (from Sonny Rollins and Sun Ra to James Taylor and heavy metal players), most of whom were given the unique opportunity to play together. It displayed David Sanborn's wide interest and musical curiosity even if many of his own recordings remain quite predictable. ~ Scott Yanow, All Music Guide