Clark Terry is the special guest of the SWR Big Band on this CD recorded during a 1998 concert in Stuttgart, Germany. The veteran trumpeter, flügelhornist, and [more]
Clark Terry joined forces with Cuban bandleader Chico O'Farrill for these 1966 studio session, which consist almost exclusively of Latin tunes. Although there are a number of all-stars [more]
This CD reissue matches together trumpeter Clark Terry (before he switched to flugelhorn) with tenor saxophonist Johnny Griffin, pianist Wynton Kelly, bassist Paul [more]
This obscure 1963 studio session led by Clark Terry features the music from Ervin Drake's Broadway show {+What Makes Sammy Run}, with arrangements by Pat Williams, but the [more]
Right in the middle of celebrating his 79th birthday, Clark Terry went into the studio for several days to record 14 duets with a different pianist on each track, with many of them being [more]
Clark Terry, 79 at the time of this recording, sounds in remarkably fine form throughout the live set. Featured in Germany with his regular band of the time [more]
Clark Terry's 1977 studio date with an orchestra conducted by Peter Herbolzheimer might very well fall into the easy listening category were it not for his brilliant improvisations [more]
Free and Oozy is a compilation of two long unavailable LPs made for Cameo in the early '60s. Seven tracks come from Tread Ye Lightly, an octet featuring pianist Ray Bryant (listed [more]
The classic songs of Richard Rodgers and Lorenz Hart are rendered on this outstanding three-disc set, which features vocalists like Billie Holiday, Ella Fitzgerald, [more]
This is not and cannot be the Complete Cole Porter Songbooks, but it's a marvelous collection of 48 timeless jazz interpretations drawn from the Verve catalog. [more]
As he left Ellington said, 'It was lovely.' At 8:00 a.m., he and his band were off to an engagement in Oklahoma City. For Duke, it was back to business as usual, but, as Whitney Balliett wrote in The New Yorker, the maestro 'was finally given his due by his country.' -Doug Ramsey
One of the undeniable highlights of President Richard Nixon's administration was the 1969 White House gala celebrating Duke Ellington's 70th birthday, though jazz [more]
One of the lesser sessions from Cannonball Adderley's days with Capitol, Domination features arrangements by Oliver Nelson and William Fischer. Recorded in April of [more]
In jazz, ballads have a way of separating the men from the boys and the women from the girls. They show what an improviser is made of emotionally. On ballads, [more]
The first of two CDs of ballads put out by RCA that are meant to attenuate that "special mood," this is a hodgepodge collection of music easily available elsewhere. Starting [more]
Rosemary Clooney may have seemed to be a surprising choice to be featured with Duke Ellington & His Orchestra, but this collaboration is extremely successful in spite of the fact that [more]
For this 1990 concert, altoist Benny Carter teams up with the great fluegelhornist Clark Terry on a set of standards. Vocalist Billy Hill joins the quintet for four [more]
This recording features singer Joe Williams backed by a studio orchestra headed and arranged by Jimmy Jones. Williams mostly sticks to blues-oriented material but there is a [more]
This two-CD set gives one a good example of how Duke Ellington's Orchestra sounded in 1959. Greatly expanded from the original single LP, the release essentially brings [more]
Possessor of the happiest sound in jazz, flügelhornist Clark Terry always plays music that is exuberant, swinging, and fun. A brilliant (and very distinctive) soloist, C.T. gained fame for his "Mumbles" vocals (which started as a satire of the less intelligible ancient blues singers) and is also an enthusiastic educator. He gained early experience playing trumpet in the viable St. Louis jazz scene of the early '40s (where he was an inspiration for Miles Davis) and, after performing in a Navy band during World War II, he gained a strong reputation playing with the big band of Charlie Barnet (1947-1948), the orchestra and small groups of Count Basie (1948-1951), and particularly with Duke Ellington (1951-1959). Terry, a versatile swing/bop soloist who started specializing on flügelhorn in the mid-'50s, had many features with Ellington (including "Perdido") and started leading his own record dates during that era. He visited Europe with Harold Arlen's unsuccessful The Free & Easy show of 1959-1960 as part of Quincy Jones' Orchestra, and then joined the staff of NBC where he was a regular member of the Tonight Show Orchestra. He recorded regularly in the 1960s including a classic set with the Oscar Peterson Trio and several dates with the quintet he co-led with valve trombonist Bob Brookmeyer. Throughout the 1970s, '80s, and '90s, C.T. remained a major force, recording and performing in a wide variety of settings including at the head of his short-lived big band in the mid-'70s, with all-star groups for Pablo, and as a guest artist who can be expected to provide happiness in every note he plays. ~ Scott Yanow, All Music Guide