One of the giants of American popular song gets his due with this three-disc Verve box, comprising a trio of separately released compilations. Though Mercer's [more]
Takin' Off was an impressive debut effort from Herbie Hancock, and his second record, My Point of View, proved that it was no fluke. Hancock took two risks with the album -- his [more]
Although the name Stan Getz (tenor sax) was initially synonymous with the West Coast cool scene during the mid-to-late 1950s, he likewise [more]
"When I first heard Bill, it sounded completely fresh." —Herbie Hancock
Bill Evans changed the way that the piano sounds in jazz. In the late 1950s before Evans rose to prominence, the main influence on younger jazz pianists was [more]
Although the Scott LaFaro-Paul Motian lineup of the Bill Evans Trio is generally considered to be the strongest, Chuck Israels and Larry Bunker make a strong case of their [more]
Moonbeams was the first recording Bill Evans made after the death of his musical right arm, bassist Scott LaFaro. Indeed, in LaFaro, Evans found a counterpart rather than a sideman, [more]
It is surprising that this obscure session featuring Herbie Mann with the Bill Evans Trio (making its first recordings following the sudden death of bassist Scott LaFaro [more]
During part of 1959-1960, pianist Jon Mayer, bassist Chuck Israels, and drummer Arnie Wise formed a trio that played for a few months in Europe, sometimes with clarinetist [more]
There were few examples of early-'60s live recordings featuring composer/pianist George Russell for decades, then suddenly, several live sets appeared over [more]
Chuck Israels is still best known for his work with the Bill Evans Trio (1961-1966), but he has been an important educator since the 1970s. A tasteful and supportive bassist, Israels' first recording was the 1958 meeting between John Coltrane and Cecil Taylor. He played with George Russell's sextet (1959-1961), was briefly with Eric Dolphy's band, and then joined Bill Evans. During the Evans years, Israels also appeared on records led by J.J. Johnson, Herbie Hancock, Gary Burton, and Stan Getz. He founded and headed the National Jazz Ensemble (1973-1978), a top repertory band that recorded two albums for Chiaroscuro. Afterward, Israels was less active as a player, but he did record with the Kronos String Quartet (1984) and Rosemary Clooney (1985), in addition to heading an obscure session for Anima (1991). ~ Scott Yanow, All Music Guide