The arrangements by Tommy Newsom for strings, brass, and woodwinds may be a bit sweet and the 13 performances (which on the CD reissue include a previously unreleased take of [more]
Before he toured South America and discovered bossa nova, guitarist Charlie Byrd already had his recognizable sound formed. A master on the acoustic guitar who was [more]
This expansive four-disc anthology essentially covers the recorded history of the guitar in the 20th century, beginning with the ragtime banjo that set the [more]
The arrangements by Tommy Newsom for strings, brass, and woodwinds may be a bit sweet and the 13 performances (which on the CD reissue include a previously unreleased take of [more]
In conjunction with documentary filmmaker Ken Burns' ten-part 2000 PBS special, Columbia/Legacy and Verve teamed up to issue a special series of [more]
The sequel to the popular The Girl from Ipanema anthology basically reshuffles the deck, duplicating nine of the earlier CD's songs and adding six new [more]
This unusual CD finds guitarists Laurindo Almeida and Charlie Byrd (who have both mastered bop and Brazilian music) performing 11 [more]
Herb Ellis and Charlie Byrd -- two peas in a jazz guitarist's pod if there ever was one -- recorded this date in 1963 and proved how compatible their styles were. Though Ellis [more]
Before he toured South America and discovered bossa nova, guitarist Charlie Byrd already had his recognizable sound formed. A master on the acoustic guitar who was [more]
Woody Allen's 2009 comedy {#Whatever Works} followed the turgid love life of a misanthropic, chess-obsessed ex-physicist played (in a real stretch) by [more]
Tasteful, low-key, and ingratiatingly melodic, Charlie Byrd had two notable accomplishments to his credit -- applying acoustic classical guitar techniques to jazz and popular music and helping to introduce Brazilian music to mass North American audiences. Born into a musical family, Byrd experienced his first brush with greatness while a teenager in France during World War II, playing with his idol Django Reinhardt. After some postwar gigs with Sol Yaged, Joe Marsala and Freddie Slack, Byrd temporarily abandoned jazz to study classical guitar with Sophocles Papas in 1950 and {Andrés Segovia} in 1954. However he re-emerged later in the decade gigging around the Washington D.C. area in jazz settings, often splitting his sets into distinct jazz and classical segments. He started recording for Savoy as a leader in 1957, and also recorded with the Woody Herman Band in 1958-59. A tour of South America under the aegis of the U.S. State Department in 1961, proved to be a revelation, for it was in Brazil that Byrd discovered the emerging bossa nova movement. Once back in D.C., he played some bossa nova tapes to Stan Getz, who then convinced Verve's Creed Taylor to record an album of Brazilian music with himself and Byrd. That album, Jazz Samba, became a pop hit in 1962 on the strength of the single "Desafinado" and launched the bossa nova wave in North America. Thanks to the bossa nova, several albums for Riverside followed, including the defining Bossa Nova Pelos Passaros, and he was able to land a major contract with Columbia, though the records from that association often consisted of watered-down easy listening pop. In 1973, he formed the group Great Guitars with Herb Ellis and Barney Kessel and also that year, wrote an instruction manual for the guitar that has become widely used. From 1974 onward, Byrd recorded for the Concord Jazz label in a variety of settings, including sessions with Laurindo Almeida and Bud Shank. He died December 2, 1999 after a long bout with cancer. ~ Richard S. Ginell, All Music Guide