Cedar Walton continues to produce consistently good mainstream jazz recordings, approaching a sum total of 50. This effort revisits previous original compositions or tackles some [more]
The Heavyweight Champion is a box set that lives up to its title. Collecting all of John Coltrane's Atlantic recordings, including a fair [more]
The only difference between this "Rudy Van Gelder Edition" of Joe Henderson's classic 1966 Mode for Joe album, which starred Lee Morgan, Bobby Hutcherson, Curtis [more]
This 2003 reissue of the Art Blakey classic Indestructible is part of Blue Note's Rudy Van Gelder series. Van Gelder himself has done the 24-bit remasters from analog masters. The added track left off the original session is Wayne Shorter's
On Hub Cap, his third effort as a leader, Freddie Hubbard sticks to the tried-and-true hard bop formula, which is something of a mixed blessing. There's no question that much [more]
From late 1967 through 1968, Lee Morgan fronted a fine sextet with alto saxophonist Jackie McLean and the less-heralded tenor saxophonist Frank Mitchell. The group recorded [more]
This two CD collection was originally released as part of Blue Note's 60th Anniversary boxed set. Jimmy Smith, who was signed by Alfred Lion after he [more]
Free for All is a high point in drummer Art Blakey's enormous catalog. This edition of the Jazz Messengers had been together since 1961 with a lineup that would be [more]
This is the one that started it: Mosaic, recorded in 1961, was the first recording of Art Blakey's Jazz Messengers as a sextet, a setting he kept from 1961-1964. The band's [more]
History will undoubtedly enshrine this disc as a watershed the likes of which may never truly be appreciated. Giant Steps bore the double-edged sword of furthering the cause of the [more]
For this quartet date with pianist Cedar Walton, bassist Ron Carter and drummer Billy Higgins (trumpeter Freddie Hubbard sits in on two numbers), Turrentine is in top form on [more]
One of the most valued of all hard bop accompanists, Cedar Walton is a versatile pianist whose funky touch and cogent melodic sense have graced the recordings of many of jazz's greatest players. He is also one of the music's more underrated composers; although he has always been a first-rate interpreter of standards, Walton wrote a number of excellent tunes ("Mosaic," "Ugetsu," and "Bolivia," to name a few) that found their way into Art Blakey's book during the pianist's early-'60s stint with the Jazz Messengers.
Walton was first taught piano by his mother. After attending the University of Denver, he moved to New York in 1955, ostensibly to play music. Instead, he was drafted into the Army. Stationed in Germany, Walton played with American musicians Leo Wright, Don Ellis, and Eddie Harris. After his discharge, Walton moved back to New York, where he began his career in earnest. From 1958-1961, Walton played with Kenny Dorham, J.J. Johnson, and Art Farmer's Jazztet, among others. Walton joined Blakey in 1961, with whom he remained until 1964. This was perhaps Blakey's most influential group, with Freddie Hubbard and Wayne Shorter. Walton served time as Abbey Lincoln's accompanist from 1965-1966 and made records with Lee Morgan from 1966-1968; from 1967-1969, Walton served as a sideman on many Prestige albums as well. Walton played in a band with Hank Mobley in the early '70s and returned to Blakey for a 1973 tour of Japan.
Walton's own band of the period was called Eastern Rebellion, and was comprised of a rotating cast that included saxophonists Clifford Jordan, George Coleman, and Bob Berg; bassist Sam Jones; and drummer Billy Higgins. In the '80s and '90s, Walton continued to lead his own fine bands, recording on the Muse, Evidence, and Steeplechase labels. In addition to his many quantifiable accomplishments, Walton is less well known as the first pianist to record, in April 1959 with John Coltrane, the tenorist's daunting "Giant Steps" -- unlike the unfortunate Tommy Flanagan a month later, Walton wasn't required to solo, though he does comp magnificently. ~ Chris Kelsey, All Music Guide