One of the most versatile of guitarists. -George Benson
This languid, seductive gem may well be Grant Green's greatest moment on record. Right from the opening bars of the classic title cut, Idle Moments is immediately ingratiating and [more]
This early recording by Joe Henderson is not only one of the finest of all of his fine recordings, but is also a high point for 1960s jazz. At this point in his career, Henderson was a [more]
After the success of Song for My Father and its hit title cut, Horace Silver was moved to pay further tribute to his dad, not to mention connect with [more]
This expansive four-disc anthology essentially covers the recorded history of the guitar in the 20th century, beginning with the ragtime banjo that set the [more]
Stanley Turrentine is the featured artist in this big band session with an all-star orchestra arranged and conducted by Oliver Nelson. While Nelson's charts are funky and [more]
Blue Note Plays the Beatles contains 11 previously released performances by jazz artists dipping into the Lennon/McCartney songbook. When deciding to cover such [more]
This two CD collection was originally released as part of Blue Note's 60th Anniversary boxed set. Jimmy Smith, who was signed by Alfred Lion after he [more]
Along with Gene Ammons and Stanley Turrentine, Dexter Gordon was one of the top ballad players of the '60s. Having already made his name in the bebop era and as an expatriate in Europe, [more]
Grant Green recorded so much high-quality music for Blue Note during the first half of the '60s that a number of excellent sessions went unissued at the time. Even so, it's still hard to [more]
Curious listeners who encounter Lee Morgan for the first time through this single-disc anthology will come away mightily impressed, even inspired, but they will be hearing only the [more]
The bass equivalent of a seasoned saxophone veteran who's never been a giant, but is well-respected for consistent excellence, Bob Cranshaw has worked steadily with several top jazz musicians. Despite having a light tone, Cranshaw's timing, musical knowledge, and versatility have been featured in an impressive array of recording sessions and tours since the late '50s. Cranshaw played piano and drums before switching to bass and tuba in high school. He was a founding member of Walter Perkins' {MJT +3} band in 1957. Cranshaw went to New York with the group in 1960 and joined Sonny Rollins when they disbanded in 1962. He also worked with Duke Pearson's small groups and big band. Cranshaw started a parallel career in television which he has continued, being known for his years on {#Sesame Street}. He's also worked in theater orchestras, but jazz dates have been plentiful; Cranshaw's played with Lee Morgan, Wes Montgomery, Coleman Hawkins, Johnny Hodges, Horace Silver, McCoy Tyner, Thelonious Monk, Jimmy Heath, James Moody, and Buddy Rich, as well as toured with George Shearing, Joe Williams, Ella Fitzgerald, and Oscar Peterson. Cranshaw expanded his repertory and added electric bass in the '70s. He's frequently worked with Rollins in the '80s and '90s. Cranshaw has no albums as a leader available on CD, but can be heard on numerous dates by Rollins, McCoy Tyner, and {the MJT + 3} among others. ~ Ron Wynn, All Music Guide