"Armstrong jovially balanced his calling as a musician with his job as an entertainer, applying his virtuosity while showing audiences a good time." —New York Times
In conjunction with the release of Ken Burns' ten-part, 19-hour epic PBS documentary {#Jazz}, Columbia issued 22 single-disc compilations devoted to jazz's most significant [more]
Louis Armstrong recorded constantly throughout his storied career, from his sidemen dates with King Oliver's [more]
Pete Fountain has spent a lifetime playing and promoting Dixieland jazz, making it possible for people who otherwise have little awareness of it to [more]
This is the first domestic volume on CD of Armstrong's swing-era recordings for Decca in chronological order (1934-1936). Joined by the musical, but by then somewhat [more]
Two of the selections ("Jeepers Creepers" and "Tiger Rag") on this CD are taken from a radio broadcast that matched Louis Armstrong in 1938 with the great pianist [more]
This is a clever collection of 25 tracks that either feature the word Harlem in the title (19 of them) or reference it in the lyrics. The CD includes five tracks by Duke Ellington, [more]
This 23-track compilation contains alternate takes of many of Armstrong's signature songs from this period on one album. The songs include
A decent tenor saxophonist and a much more erratic clarinetist, Bingie Madison was a solid section player during the swing era. He actually started out as a pianist, playing locally in Des Moines and visiting both California and Canada in 1921. After stints on piano with Bobby Brown (1922-25) and Bernie Davis, Madison became strictly a reed player. He alternated between leading his own bands and playing with Cliff Jackson, Lew Henry and Elmer Snowden (1931). After short periods with Sam Wooding, Lucky Millinder and Billy Fowler, Madison joined Luis Russell in 1932 and stayed with the group for eight years, including the period when it became the backup band for Louis Armstrong. Madison's associations after 1940 with Edgar Hayes, Ovie Alston, Alberto Socarras and Hank Duncan were mostly out of the spotlight, although he recorded with Duncan in 1944. Madison, who never headed his own record date, continued leading his own groups into the 1960s, but by then he was largely forgotten by the greater jazz world. ~ Scott Yanow, All Music Guide