This magnificent limited-edition set launched the Mosaic label in real style. Included are all of Thelonious Monk's Blue Note recordings, six sessions as a leader [more]
The Quartet (which for the past five years had included clarinetist Bill Smith, electric bassist Chris Brubeck and drummer Randy Jones in addition to the pianist/leader) teamed up with the [more]
Volume 1 of the two-volume Genius of Modern Music set comprises the first sessions Thelonious Monk recorded as a leader, on October 15 and 24 and [more]
In conjunction with the release of Ken Burns' ten-part, 19-hour epic PBS documentary {#Jazz}, Columbia issued 22 single-disc compilations devoted to jazz's most significant artists, [more]
On the second volume in this two-disc series Thelonious Monk has come fully into his own as a leader. The program consists almost entirely of [more]
Because this recording dates from the middle of Dave Brubeck's exclusive contract with Concord Jazz, it's obviously a bootleg, but both the [more]
For listeners interested in a mellow overview of much of what pianist Dave Brubeck is famous for, this is a nice compilation. Ballads: Music for You features various studio [more]
“Horn’s taste is impeccable, her conviction contagious, and when she sings a lyric...we accept it as pure gospel.” —Vanity Fair
With the swanky midnight mood of their previous collaboration Here's to Life in mind, Shirley Horn and arranger Johnny Mandel go at it again -- a move that is sure to send her [more]
Not to be confused with another prominent Bill Smith (co-editor of Coda and a notable avant-garde soprano saxophonist), this particular Bill Smith has been associated with Dave Brubeck on and off through the decades. Smith studied at Julliard School and with Darius Milhaud at Mills College. He was part of the Dave Brubeck Octet during 1947-51 (a recording resulted) and was always open to the idea of utilizing ideas from the modern classical music world in jazz. Unlike Brubeck, Smith became a college professor, teaching at USC. However he recorded with Red Norvo (1957), Shelly Manne (his "Concerto For Clarinet and Combo" in 1957) and three advanced records for Fantasy in Paul Desmond's place with the Dave Brubeck Quartet (1959-61). After winning a Guggenheim Fellowship for composition, Smith spent six years in Italy, part of the time leading the American Jazz Ensemble. Bill Smith taught at the University of Washington and since 1982 has been a regular member of Brubeck's Quartet, alternating with Bobby Militello. In addition to his many later recordings with Brubeck and a couple with his American Jazz Ensemble, Smith recorded as a leader for Contemporary (1959), a couple titles from a live "Americans In Europe" concert for Impulse (1963), and for the Italian Edi-Pan (1977) and Jazz Music (1978) labels. ~ Scott Yanow, All Music Guide