With Chick Corea's (k) trio. ~ Michael G. Nastos, All Music Guide
Recorded a year before pianist/composer Thelonious Monk's death, this tribute by Bennie Wallace features the dynamic tenor in trios with bassist Eddie Gomez and drummer Dannie Richmond [more]
Tenor-saxophonist Bennie Wallace's first six recordings as a leader (all for Enja during 1978-82) featured his large tone and advanced solos with sparse rhythm sections. [more]
Bennie Wallace's unique approach to the tenor sax makes him one of the easiest players to identify, with a constantly probing attack from many different angles, mixing in a bit [more]
There will be those fans of Tennessee tenor saxophonist Wallace who may hear this as an anomalous aside in his career of playing mostly progressive modern jazz. Others [more]
Bennie Wallace is unlike any tenor saxophonist, often alternating between a soulful, fat tone (which is very similar to Ben Webster's approach) and sudden unpredictable jumps (no doubt [more]
For decades, Bennie Wallace has performed with a hard-hitting, angular style all his own. Why his name is not associated with the giants of the horn is a mystery, as he has produced a [more]
With Chick Corea's (k) trio. ~ Michael G. Nastos, All Music Guide
Recorded a year before pianist/composer Thelonious Monk's death, this tribute by Bennie Wallace features the dynamic tenor in trios with bassist Eddie Gomez and drummer Dannie Richmond [more]
Tenor-saxophonist Bennie Wallace's first six recordings as a leader (all for Enja during 1978-82) featured his large tone and advanced solos with sparse rhythm sections. [more]
Bennie Wallace's unique approach to the tenor sax makes him one of the easiest players to identify, with a constantly probing attack from many different angles, mixing in a bit [more]
There will be those fans of Tennessee tenor saxophonist Wallace who may hear this as an anomalous aside in his career of playing mostly progressive modern jazz. Others [more]
The custom jazz label serves up ten dark, moody selections from its array of artists spanning from seductive female vocalists Melissa Walker and Jenny Evans to Dusko Goykovich's poignant muted trumpet and Karl Ratzer's delectable guitar musings on
Bennie Wallace is unlike any tenor saxophonist, often alternating between a soulful, fat tone (which is very similar to Ben Webster's approach) and sudden unpredictable jumps (no doubt [more]
Bennie Wallace has long had his own unique style, combining together the raspy tone of Ben Webster with the frequent wide interval jumps of Eric Dolphy. He has an explorative style that sound-wise looks back toward the swing era. Wallace started on clarinet when he was 12 and a few years later switched to tenor. He graduated from the University of Tennessee in 1968, and in 1971 moved to New York, where he debuted with Monty Alexander. Wallace gigged with Sheila Jordan, played with many avant-garde musicians, was in George Gruntz's Concert Jazz Band in 1979, and led his own trio/quartet on and off throughout the 1970s and '80s. He recorded frequently prior to 1985 for Enja, but his mid- to late-'80s Blue Note recordings are more memorable, for they find him infusing his appealing sound with touches of New Orleans R&B and a healthy dose of humor. In the '90s, Wallace began writing music for films, including {#White Men Can't Jump}. He also stayed active on the jazz scene, releasing Old Songs in 1993 on JVC, Talk of the Town also in 1993 on Enja, and Someone to Watch Over Me in 1999 on Enja. In 2002 Wallace scored critical success with Moodsville and followed it up with the release of In Berlin, a recording of a 1999 appearance at the Berlin Jazz Festival. Since that time, Wallace has released studio albums including The Nearness of You in 2004 and the Coleman Hawkins-themed Disorder at the Border in 2007. ~ Scott Yanow, All Music Guide