Barry Harris' debut Argo session captures a uniquely soulful interpretation of bop sensibilities. Light yet commanding, Breakin' It Up moves from strength to strength, [more]
The music is predictable but pleasing on this consistent CD, recorded at the 1960 Newport Jazz Festival. Cannonball Adderley's Quintet (with trumpeter Nat [more]
Along with Gene Ammons and Stanley Turrentine, Dexter Gordon was one of the top ballad players of the '60s. Having already made his name in the bebop era and as an expatriate in Europe, [more]
Curious listeners who encounter Lee Morgan for the first time through this single-disc anthology will come away mightily impressed, even inspired, but they will be hearing only the [more]
Carried by its almost impossibly infectious eponymous opening track, The Sidewinder helped foreshadow the sounds of boogaloo and soul-jazz with its healthy R&B influence and Latin tinge. [more]
The soundtrack to a documentary on the Blue Note label's history, Blue Note: A Story of Modern Jazz also works quite well as a introductory sampler for neophytes. [more]
Jazz giants like Jack McDuff, Sonny Stitt, Kenny Burrell, and Bobby Hutcherson all contribute tracks and brush shoulders with jazz middleweights like Wallace [more]
Recorded in early 1960, Them Dirty Blues contains two classic jazz compositions: Nat Adderley's "Work Song" and Bobby Timmons' "Dat Dere," the sequel to "This Here." This was [more]
The Hank Mobley of the Turnaround album was a markedly different one from a few years earlier. This session issued in early 1965 was the product of two different sessions. The first was [more]
One of the major bop pianists of the last half of the 20th century, Barry Harris has long had the ability to sound very close to Bud Powell, yet he can also do convincing impressions of Thelonious Monk and has his own style within the bop idiom. He was an important part of the Detroit jazz scene of the 1950s, and has been a jazz educator since that era. Harris recorded his first set as a leader while in 1958, and moved to New York in 1960, where he spent a short period with Cannonball Adderley's Quintet. He also recorded with Dexter Gordon, Illinois Jacquet, Yusef Lateef, and Hank Mobley, and was with Coleman Hawkins off and on throughout the decade (including Hawk's declining years). In the 1970s, Harris was on two of Sonny Stitt's finest records (Tune Up and Constellation), and made many recordings in a variety of settings for Xanadu. Barry Harris has mostly worked with his trio since the mid-'70s, and he has recorded as a leader for Argo (1958), Riverside, Prestige, MPS, Xanadu, and Red. ~ Scott Yanow, All Music Guide