Flugelhornist Art Farmer and guitarist Jim Hall had had a regular group for a time in the mid-'60s but (except for one occasion) had not played together since, until this 1978 [more]
The premise of this Atlantic set (reissued as a Koch CD in 1999) is a bit unusual. The Art Farmer Quartet (consisting of flugelhornist Farmer, guitarist Jim Hall, bassist [more]
This informal and swinging set has the feel of a jam session. Flugelhornist Art Farmer teams up with trombonist Slide Hampton, pianist Jim McNeely, bassist Ron McClure and [more]
This 1970 club date in a Munich club by Art Farmer wasn't released until 1998, but it is by no means a collection of outtakes; it was in the possession of the club owner as his own private [more]
This exciting live set by Art Farmer is also culled from the same 1976 performances as the earlier album Live at Boomer's. Although the full quintet had not rehearsed prior [more]
This CD, The Time and the Place, is not the album of the same name released on Columbia Records dated February 8, 1967, with pianist Cedar Walton. That recording [more]
The last of the pianoless quartet albums that Gerry Mulligan recorded in the 1950s is one of the best, featuring the complementary trumpet of Art Farmer, bassist Bill Crow, [more]
Dial "S" for Sonny, Sonny Clark's first session for Blue Note Records and his first session as a leader, is a terrific set of laidback bop, highlighted by Clark's liquid, swinging [more]
Recorded in 1958, this legendary date with the still-undersung Sonny Clark in the leader's chair also featured a young Jackie McLean on alto (playing with a smoother tone than he had [more]
This CD sampler has 18 songs written by the Gershwins and recorded during a 24-year period for labels now owned by the Blue Note family. Featured are the Billy May [more]
Career-spanning retrospectives are always difficult to pull off in jazz, since the music is often about the moment. An artist can peak for a few years, and that's what's worth hearing [more]
Although Rhino's four-disc box set, Q: The Musical Biography of Quincy Jones, was released to coincide with Quincy Jones' autobiography, and that's what gives [more]
Hollywood Swing & Jazz: Hot Numbers from MGM, Warner Brothers & RKO Films collects '30s and '40s film music from three of Hollywood's biggest studios. Louis Armstrong's "Jeepers Creepers," Harry James & His Orchestra's
Michel Legrand has spent most of his life as a composer in the studios and for films, but this release is a jazz classic. Legrand took 11 famous jazz [more]
Flugelhornist Art Farmer and guitarist Jim Hall had had a regular group for a time in the mid-'60s but (except for one occasion) had not played together since, until this 1978 [more]
Largely overlooked during his formative years, Art Farmer's consistently inventive playing was more greatly appreciated as he continued to develop. Along with Clark Terry, Farmer helped to popularize the flügelhorn among brass players. His lyricism gave his bop-oriented style its own personality. Farmer studied piano, violin, and tuba before settling on trumpet. He worked in Los Angeles from 1945 on, performing regularly on Central Avenue and spending time in the bands of Johnny Otis, Jay McShann, Roy Porter, Benny Carter, and Gerald Wilson among others; some of the groups also included his twin brother, bassist Addison Farmer (1928-1963). After playing with Wardell Gray (1951-1952) and touring Europe with Lionel Hampton's big band (1953), Farmer moved to New York and worked with Gigi Gryce (1954-1956), Horace Silver's Quintet (1956-1958), and the Gerry Mulligan Quartet (1958-1959). Farmer, who made many recordings in the latter half of the '50s (including with Quincy Jones and George Russell and on some jam-session dates for Prestige) co-led the Jazztet with Benny Golson (1959-1962) and then had a group with Jim Hall (1962-1964). He moved to Vienna in 1968 where he joined the Austrian Radio Orchestra, worked with the Kenny Clarke-Francy Boland Big Band and toured with his own units. Starting in the '80s, Farmer visited the U.S. more often and remained greatly in demand up until his death on October 4, 1999. Farmer recorded many sessions as a leader throughout the years for Prestige, Contemporary, United Artists, Argo, Mercury, Atlantic, Columbia, CTI, Soul Note, Optimism, Concord, Enja, and Sweet Basil. ~ Scott Yanow, All Music Guide