Lester Young's influence on younger tenor players was at its height in the early-to-mid-'50s. This enjoyable session matches together the three tenors of Al Cohn, [more]
This compilation combines portions of studio dates led by three different saxophonists: Al Cohn, Zoot Sims, and Dexter Gordon. Cohn is [more]
This Mosaic compilation draws from material that comprised five separate RCA Victor LPs of the 1950: Al Cohn's The Natural Seven [more]
This is not and cannot be the Complete Cole Porter Songbooks, but it's a marvelous collection of 48 timeless jazz interpretations drawn from the Verve catalog. [more]
Jazz giants like Jack McDuff, Sonny Stitt, Kenny Burrell, and Bobby Hutcherson all contribute tracks and brush shoulders with jazz middleweights like Wallace [more]
Woody Herman spent his twilight years recording for the Concord label, both with his big band and in all-star groups that he sponsored. For this 1998 sampler CD, Herman [more]
This CD sampler has 18 songs written by the Gershwins and recorded during a 24-year period for labels now owned by the Blue Note family. Featured are the Billy May [more]
The 20 tracks on this anthology cover Bennett's entire career at Columbia, from his 1951 number one single "Because of You" to "Mood Indigo" from 1999's Hot and Cool: Bennett [more]
While this two-CD set does cover a lot of the material Maynard Ferguson recorded between the mid-'50s and late '90s, it suffers from a chronological imbalance that [more]
Woody Herman had many talents, including being a fine clarinetist, altoist and singer. But perhaps his greatest [more]
As the Manhattan Transfer went on, so did the legacy of the jazz vocal ensemble. In that regard, though the competition was scarce, this group did elevate the [more]
Just about to turn 60, Jimmy Rushing recorded his only LP for Colpix in early 1963 with a large group packed with Basie alumni (Freddie Green, Gus Johnson, Joe Newman, Snooky [more]
"For my money Tony Bennett is the best singer in the business, the best exponent of a song. He excites me when I watch him — he moves me. He's the singer who gets across what the composer has in mind, and probably a little more. There's a feeling in back of it." —Frank Sinatra
When the first version of this impressive box set was originally released in 1991 (as Forty Years: The Artistry of Tony Bennett), it put the capstone upon [more]
An excellent tenor saxophonist and a superior arranger/composer, Al Cohn was greatly admired by his fellow musicians. Early gigs included associations with Joe Marsala (1943), Georgie Auld, Boyd Raeburn (1946), Alvino Rey, and Buddy Rich (1947). But it was when he replaced Herbie Steward as one of the "Four Brothers" with Woody Herman's Second Herd (1948-1949) that Cohn began to make a strong impression. He was actually overshadowed by Stan Getz and Zoot Sims during this period but, unlike the other two tenors, he also contributed arrangements, including "The Goof and I." He was with Artie Shaw's short-lived bop orchestra (1949), and then spent the 1950s quite busy as a recording artist (making his first dates as a leader in 1950), arranger for both jazz and non-jazz settings, and a performer. Starting in 1956, and continuing on an irregular basis for decades, Cohn co-led a quintet with Zoot Sims. The two tenors were so complementary that it was often difficult to tell them apart. Al Cohn continued in this fashion in the 1960s (although playing less), in the 1970s he recorded many gems for Xanadu, and during his last few years, when his tone became darker and more distinctive, Cohn largely gave up writing to concentrate on playing. He made many excellent bop-based records throughout his career for such labels as Prestige, Victor, Xanadu, and Concord; his son Joe Cohn is a talented cool-toned guitarist. ~ Scott Yanow, All Music Guide