One of the lesser sessions from Cannonball Adderley's days with Capitol, Domination features arrangements by Oliver Nelson and William Fischer. Recorded in April of [more]
Peace...Back by Popular Demand finds Keb' Mo' covering nine classic protest and peace songs from the 1960s and early '70s, and what is immediately apparent is how well these [more]
"Every so often you're lucky enough to be in the right place at the right time. And we were the lucky ones, those of us who were in Carnegie Hall on Friday night, February 22, 1963. That was the night the Dave Brubeck Quartet reached swinging heights few of us had ever heard it attain before. It began predictably as a good Brubeck concert, but nothing out of the ordinary. We were all there on this Washington's Birthday because we like to listen to Brubeck, and we were hearing pretty much what we had expected to hear. And so we were satisfied. Then suddenly it happened-right after the start of the third number. Don't ask why. Probably nobody can explain it. But it happened all right, and what had begun as a quite good Brubeck concert burst abruptly into a truly great one. From then on, this turned out to be the night the Dave Brubeck Quartet was really swinging. This was the night it fell into a groove few, if any of us, had ever realized it could find. This was one of those nights when everything turned out right. During intermission I sat with Dave and Paul Desmond in their dressing room. They were very happy. A great rapport had been established, because they were feeling exactly what we had been feeling out front. They knew even better than we did that this was a special night. Some days later Dave, still exultant about what had happened at Carnegie Hall, remarked, 'The group had reached swinging heights like that before. What was lucky is that this concert was recorded!'"
For all those who have a big axe to grind with Brubeck, for all those who claim the band was only successful because they were predominantly white, or played [more]
The first of two CDs of ballads put out by RCA that are meant to attenuate that "special mood," this is a hodgepodge collection of music easily available elsewhere. Starting [more]
Keyboardist Bob James and acoustic guitarist Earl Klugh struck gold with this session, recently reissued on CD. The formula hasn't changed much in succeeding years. Both [more]
Herb Alpert turned to jazz's Shorty Rogers -- then toiling in the L.A. film and TV studios -- for voice and string arrangements on his Christmas album, and Rogers in [more]
The 20 tracks on this anthology cover Bennett's entire career at Columbia, from his 1951 number one single "Because of You" to "Mood Indigo" from 1999's Hot and Cool: Bennett [more]
The Boys Choir of Harlem is joined by guests the James Williams Trio and Dianne Reeves for Christmas Carols and Sacred Songs, an engaging collection of [more]
It's Uptown remains a germinal jazz guitar album. Columbia/Legacy reissued the 1966 classic in 2001, with five bonus tracks appended to the original 11-track program. Benson's guitar [more]
For George Benson's second CTI project, producer Creed Taylor and arranger Don Sebesky successfully place the guitarist in a Spanish-flavored setting full of flamenco flourishes, brass fanfares, moody woodwinds and such. The idea works best on
This is an intriguing set. Although put out by the Concord subsidiary Peak, the jazz content is pretty low, with the flavor of jazz utilized much more than any serious [more]
In his first album for Warner Bros., Vince Guaraldi serves up another delightful, though pitifully short (27 minutes) helping of his themes for the {#Peanuts} TV specials. By this [more]
All of a sudden, George Benson became a pop superstar with this album, thanks to its least representative track. Most of Breezin' is a softer-focused variation of Benson's R&B/jazz-flavored [more]
While this two-CD set does cover a lot of the material Maynard Ferguson recorded between the mid-'50s and late '90s, it suffers from a chronological imbalance that [more]
The Essential George Benson covers 28 years and spans two discs, so it lives up to its claim of having the widest scope of all the Benson compilations that surfaced before [more]
Ramsey Lewis is not only thriving in his golden years, but continues to refine his approach within the tried-and-true piano-bass-drums trio format. [more]
Smooth Jazz Hits collects 12 laid-back, smooth tracks released on the Concord label from Chuck Loeb, Najee, and Boney James, alongside Kenny G's "Tango," Paul Brown's, "Ol' Skoolin'" and Norman Brown's
Jazz-influenced singer/songwriter Spencer Day's third studio effort and debut for Concord Records, 2009's Vagabond is a softly cinematic piece of crossover pop that positions Day as a kind [more]