When bandleader Stan Kenton was approached to record an album of holiday music in 1961 he agreed, on one condition -- no songs about singing snowmen or flying reindeer. The resulting [more]
"Every so often you're lucky enough to be in the right place at the right time. And we were the lucky ones, those of us who were in Carnegie Hall on Friday night, February 22, 1963. That was the night the Dave Brubeck Quartet reached swinging heights few of us had ever heard it attain before. It began predictably as a good Brubeck concert, but nothing out of the ordinary. We were all there on this Washington's Birthday because we like to listen to Brubeck, and we were hearing pretty much what we had expected to hear. And so we were satisfied. Then suddenly it happened-right after the start of the third number. Don't ask why. Probably nobody can explain it. But it happened all right, and what had begun as a quite good Brubeck concert burst abruptly into a truly great one. From then on, this turned out to be the night the Dave Brubeck Quartet was really swinging. This was the night it fell into a groove few, if any of us, had ever realized it could find. This was one of those nights when everything turned out right. During intermission I sat with Dave and Paul Desmond in their dressing room. They were very happy. A great rapport had been established, because they were feeling exactly what we had been feeling out front. They knew even better than we did that this was a special night. Some days later Dave, still exultant about what had happened at Carnegie Hall, remarked, 'The group had reached swinging heights like that before. What was lucky is that this concert was recorded!'"
For all those who have a big axe to grind with Brubeck, for all those who claim the band was only successful because they were predominantly white, or played [more]
This is the second of three volumes covering the 1953-1954 quartet led by Chet Baker (trumpet). The contents of this single disc are split evenly between a short, [more]
The first of two CDs of ballads put out by RCA that are meant to attenuate that "special mood," this is a hodgepodge collection of music easily available elsewhere. Starting [more]
Out of the 13 selections included on this double CD, six were originally released just in Europe, two ("Out of Nowhere" and "Mexican Jumping [more]
The Dave Brubeck-Gerry Mulligan quartet is heard in a very inspired performance at the Newport Jazz Festival, just a short time before a riot by the audience closed the festival. [more]
Dave Brubeck (piano) began his Columbia Records association on a second album of material that his quartet had cut during its spring of 1954 tour of North American [more]
This CD contains the original LP of the same name plus two previously unissued songs ("Very Good Advice" and "So This Is Love"). Inspired by a trip with his family to Disneyland, [more]
This third and final Pacific Jazz volume of the Chet Baker Quartet in concert continues with more music from the August 1954 date at the Tiffany Club in Los Angeles [more]
In conjunction with the release of Ken Burns' ten-part, 19-hour epic PBS documentary {#Jazz}, Columbia issued 22 single-disc compilations devoted to jazz's most significant artists, [more]
This CD sampler has 18 songs written by the Gershwins and recorded during a 24-year period for labels now owned by the Blue Note family. Featured are the Billy May [more]
The Gerry Mulligan Quartet of 1952-53 was one of the best-loved jazz groups of the decade and it made stars out of both the leader and trumpeter Chet Baker. [more]
Dave Brubeck's defining masterpiece, Time Out is one of the most rhythmically innovative albums in jazz history, the first to consciously explore time signatures outside of the [more]
Brubeck is heard at three separate recording sessions on this CD playing music that was used in the Peanuts cartoon series. The music ranges from such standards as "Bicycle Built [more]
The Quartet (which for the past five years had included clarinetist Bill Smith, electric bassist Chris Brubeck and drummer Randy Jones in addition to the pianist/leader) teamed up with the [more]
This excellent CD reissues the LP Brubeck Time plus half of Red Hot and Cool. One of the few early studio (as opposed to club) recordings by [more]
So dubbed because these three sessions -- two from early 1949, one from March 1950 -- are where the sound known as cool jazz essentially formed, The Birth of the Cool remains one of [more]
Hollywood Swing & Jazz: Hot Numbers from MGM, Warner Brothers & RKO Films collects '30s and '40s film music from three of Hollywood's biggest studios. Louis Armstrong's "Jeepers Creepers," Harry James & His Orchestra's
Some fierce live Getz. W/ Jimmy Raney (g), Al Haig (p), Teddy Kotick (b), and Tiny Kahn (d). ~ Ron Wynn, All Music Guide
Joy Spring is a compilation of straight-ahead tracks that guitarist Larry Coryell recorded over a four-year period for the Muse label, now reissued on [more]