Texas Blues
My best birthday ever ... forever -Stevie Ray Vaughan, 10/04/84
Live at Carnegie Hall captures Stevie Ray Vaughan on the supporting tour for his second album, 1984's Couldn't Stand the Weather. The Carnegie Hall [more]
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This CD is a hodgepodge sampling of blues records featuring mostly pre-war slide guitarists ranging from the simplicity of Barbecue Bob (who was much [more]
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Stevie Ray Vaughan's second album, Couldn't Stand the Weather, pretty much did everything a second album should do: it confirmed that the [more]
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It's hard to overestimate the impact Stevie Ray Vaughan's debut, Texas Flood, had upon its release in 1983. At that point, blues was no longer hip, the way it [more]
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To me, he's one of the greatest blues singers there ever was. I'm very sad because I wish he were here. But his music will never die, he's one of the greatest blues musicians that ever picked up a guitar.
If you're gonna put out a box set that really offers something to the devoted fans of an artist -- who are, after all, probably bound to have much or all of the artist's [more]
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"I saw Lightnin' for the first time at a roadhouse in Gary, Indiana. He had on his shades, a process and a dark suit with white socks. He pulled up a chair, plugged in his guitar and tore the house up. The place went wild! It was one of the coolest things I ever saw. Lightnin' was definitely one cool operator." —Charlie Musselwhite
Pruning 16 tracks from Hopkins' extensive catalog for a best-of meant that some hard choices had to be made. The ones Rhino came up with won't [more]
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![Tell Me What I Want to Hear [Bonus Tracks]](/cache/JHS/no/130x130_no_photo_big.jpg)
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San Francisco blues guitar king Joe Louis Walker has been purveying his biting brand of West Coast blues since the '60s, with time off for good behavior (literally [more]
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At four discs and nearly 100 tracks, this is the second installment of Rhythm and Blues Records' ambitious history of R&B, covering the years 1942 to 1952 [more]
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![Very Best of Lightnin' Hopkins [Great American]](/cache/JHS/n0/130x130_n02786vh5g6.jpg)
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Clarence "Gatemouth" Brown was a versatile and crowd-pleasing entertainer throughout his long career, but it's easy to overlook just how explosive a [more]
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Lightnin' Hopkins had a hard and fast approach to dealing with the abundance of record labels he recorded for during his career. The irascible bluesman would show up [more]
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![Goin' to Kansas City Blues [Bonus Tracks]](/cache/JHS/i4/130x130_on-sale_i40297nrk9v.png)
A reunion of sorts with McShann, with whom Witherspoon had sung for four years in the late '40s. A relaxed, swinging set that bisects jazz and blues, it [more]
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Texas bluesman Andrew "Smokey" Hogg's greatest talent was his dogged persistence, since he couldn't keep a steady rhythm to save his life, and paired as he usually was with [more]
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![Down South in the Bayou Country [Bonus Tracks]](/cache/JHS/h3/130x130_on-sale_h34906z6234.png)
Like everything on Memphis Slim's album Goin' Back to Tennessee or Alvin Youngblood Hart's "Tallacatcha" (a Western swing performance worthy [more]
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