Mississippi John Hurt's latter-day recordings after his rediscovery have somewhat obscured the importance of these debut sides -- the ones [more]
Accompanied by Johnny Winter and his band, Muddy Waters turns in an enthusiastic performance on Muddy "Mississippi" Waters Live. The set list contains most of his [more]
This CD is a hodgepodge sampling of blues records featuring mostly pre-war slide guitarists ranging from the simplicity of Barbecue Bob (who was much [more]
"You want to know how good the blues can get? Well this is it." —Keith Richards
A double-disc box set containing everything Robert Johnson ever recorded, The Complete Recordings is essential listening, but it is also slightly problematic. The [more]
After being rediscovered by the folk-blues community in the early '60s, Son House rose to the occasion and recorded this magnificent set of [more]
Acoustic or electric, alone or with a few friends, John Lee Hooker is always interesting. He has the gift to take the typical three-chord blues song and boil it down to its [more]
Some blues purists will say that the blues were meant to be played and sung by a single gentleman or woman, and arrangement-wise, to be kept stripped down as much as [more]
At four discs and nearly 100 tracks, this is the second installment of Rhythm and Blues Records' ambitious history of R&B, covering the years 1942 to 1952 [more]
With an intricate, delicate guitar style and a soft, gentle voice, Mississippi John Hurt benefited mightily from the recording technology of the day when he recorded 20 [more]
It makes sense to pair Charley Patton and Blind Lemon Jefferson sides together like this, since between them Patton and Jefferson provided the foundation [more]
Joe Hill Louis was a one-man band, pure and simple. It's what he did, singing while playing guitar, adding in harmonica runs and keeping 4/4 time on a hi-hat and bass [more]
Shout! Factory's 2009 set Anthology: 50 Years is not the first double-disc Hooker retrospect, nor is it likely to be the last. It differs from the previous front runner for [more]
Whether or not these two dozen songs inspired the Allman Brothers or not, this would still be a nice collection, and it's surprisingly varied, including not just [more]
This interesting collection draws from recordings in the Harry Smith archive and includes what sounds like songs taken from casual, private sessions with [more]
Blues drummer Sam Carr is the son of the legendary Robert Nighthawk, and from his Mississippi birthplace arrived in St. Louis, and then for good in Helena, AK, [more]
A sort of odds and ends collection that was originally issued on LP in 1987, Mississippi Blues, Vol. 4 gathers several alternate takes from Robert Johnson recorded between [more]