Mississippi John Hurt's latter-day recordings after his rediscovery have somewhat obscured the importance of these debut sides -- the ones [more]
Recorded in 1969, O, Glory: The Apostolic Studio Sessions is the Rev. Gary Davis' final studio LP, but he went out in style, working under the most [more]
This CD is a hodgepodge sampling of blues records featuring mostly pre-war slide guitarists ranging from the simplicity of Barbecue Bob (who was much [more]
"You want to know how good the blues can get? Well this is it." —Keith Richards
A double-disc box set containing everything Robert Johnson ever recorded, The Complete Recordings is essential listening, but it is also slightly problematic. The [more]
"I saw Lightnin' for the first time at a roadhouse in Gary, Indiana. He had on his shades, a process and a dark suit with white socks. He pulled up a chair, plugged in his guitar and tore the house up. The place went wild! It was one of the coolest things I ever saw. Lightnin' was definitely one cool operator." —Charlie Musselwhite
Pruning 16 tracks from Hopkins' extensive catalog for a best-of meant that some hard choices had to be made. The ones Rhino came up with won't [more]
Acoustic or electric, alone or with a few friends, John Lee Hooker is always interesting. He has the gift to take the typical three-chord blues song and boil it down to its [more]
It's not much of a secret that Led Zeppelin (and the whole heavy metal genre that arose in the group's wake) had their roots deep in the blues, and there are several sets [more]
At four discs and nearly 100 tracks, this is the second installment of Rhythm and Blues Records' ambitious history of R&B, covering the years 1942 to 1952 [more]
With an intricate, delicate guitar style and a soft, gentle voice, Mississippi John Hurt benefited mightily from the recording technology of the day when he recorded 20 [more]
It makes sense to pair Charley Patton and Blind Lemon Jefferson sides together like this, since between them Patton and Jefferson provided the foundation [more]
Lightnin' Hopkins had a hard and fast approach to dealing with the abundance of record labels he recorded for during his career. The irascible bluesman would show up [more]
Shout! Factory's 2009 set Anthology: 50 Years is not the first double-disc Hooker retrospect, nor is it likely to be the last. It differs from the previous front runner for [more]
A collection of 22 mostly blues tracks that either influenced or were covered by Nick Cave, this set works just fine as an anthology even without the Cave connection. And it [more]
Whether or not these two dozen songs inspired the Allman Brothers or not, this would still be a nice collection, and it's surprisingly varied, including not just [more]