Guitarist Grant Green played single-note lines similar to Charlie Christian (his main influence) and very seldom-played chords, which is one reason why his playing [more]
Guitarist Stanley Jordan (the master of tapping, making his instrument sound like two or three at once) has a wide definition of standards, ranging beyond jazz. His second official [more]
While most of Stan Kenton's recordings in the 1950s tend to be complex and sometimes bombastic, his versions of standards could often be sentimental and very melodic. This LP [more]
This LP contains six Bill Russo arrangements, five from Stan Kenton, and one by Lennie Niehaus. The repertoire features many songs not associated with Kenton (such as [more]
...Ballads dominate the album, accounting for seven of the album's ten tracks; Hargrove generally interprets them in a cool, emotionally detached manner...Compiled from four [more]
Wynton Marsalis is, in every way of considering the title, the Compleat Musician. Whether caught in a jazz club or concert hall or on Sesame Street, there is no musician out there whose merest flourish of sound speaks more eloquently or purposefully or deeply. -The New York Times
The Midnight Blues is the fifth installment in his ongoing Standard Time series, where he offers his own interpretations of classic American pop, jazz and [more]
"Wynton Marsalis is, in every way of considering the title, the Compleat Musician. Whether caught in a jazz club or concert hall or on Sesame Street, there is no musician out there whose merest flourish of sound speaks more eloquently or purposefully or deeply." —The New York Times
In this tribute to Jelly Roll Morton, at last there is a large sampling of the Wynton Marsalis who can get large crowds at outdoor jazz festivals like the [more]
Steve Tyrell has had a long journeyman's career in the music business, serving as record company executive, songwriter, and producer. But no one could have predicted the twist his [more]
One of jazz's most important big band leaders, Stan Kenton always had ambitious goals. In the late 1930s when he was playing piano as a sideman in Los Angeles [more]
The Reese Project has a signature sound, based on the extrapolations of flute player Tom Reese, cellist Laurie Reese, and guitarist Bobby Brewer. These three competent [more]
Pianist Ted Kooshian picks up where he left off on his second CD with his Standard Orbit Quartet, offering novel interpretations of themes from [more]
John Coltrane had yet to move into his modal post-bop phase in 1958 when he recorded a session for Prestige Records on July 11 with trumpeter/flügelhornist Wilbur Harden, pianist [more]
Flutist Robert Dick decided to do a CD with several of the spacier jazz standards, and with the Soldier String Quartet, he succeeds in bringing life [more]
While Rhino's Julie London roundup beats this one out for song selection, Sings the Standards still get kudos for its hefty 22 sides from the singer's prime. Mostly taken from [more]
There have been a number of singing jazz pianists over the years, yet most have been stronger in one area or the other. Dena DeRose was a pianist first and took up [more]
Alan Pasqua rises to the challenge of finding new ways to explore ten familiar songs. The veteran pianist's work is complemented by bassist Dave Carpenter and [more]
Pianist Ted Kooshian is well known to fans of the Ed Palermo Big Band, though this is only his second outing as a leader. Like Palermo, he's not one to be [more]
Dena DeRose is one of a handful of jazz artists who is equally talented as both a vocalist and pianist. Live at Jazz Standard, Vol. 2 is drawn from the same 2007 shows as [more]