There is an order to what I do. -Ornette Coleman
As jazz's first extended, continuous free improvisation LP, Free Jazz practically defies superlatives in its historical importance. Ornette [more]
Stan Kenton's 1952 Orchestra was a very interesting transitional band, still performing some of the complex works of the prior Innovations orchestra but also [more]
In jazz, two pianos are usually one too many - but not when the second pair of hands belongs to Marian McPartland. As the host of National Public Radio's Piano Jazz, the longest-running jazz program in the history of network radio, McPartland has played more duets with more different pianists than anyone in the history of jazz, and the fruits of her vast experience can be heard on Just Friends, in which six of her favorite on-the-air partners join forces to celebrate her 80th birthday. -Terry Teachout
Some jazz fans casually dismiss duo piano performances as mere novelties that all too often result in train wrecks. With hundreds of {#Piano Jazz} sessions and a few additional [more]
Hollywood Swing & Jazz: Hot Numbers from MGM, Warner Brothers & RKO Films collects '30s and '40s film music from three of Hollywood's biggest studios. Louis Armstrong's "Jeepers Creepers," Harry James & His Orchestra's
This recording is taken from music written specifically for bellydancing. This particular performance is dedicated to music from Turkey, since, in fact, [more]
This rare trio session by Duke Ellington (on which he is joined by bassist Aaron Bell and drummer Sam Woodyard) was the first of several in the early '60s that [more]
"Twotet/Deuxtet is music making of the highest order." —All About Jazz
Huevos Verdes y Jamón; Wash Away; The Return of Dr. Spookulus; Mnemosyne's March; Improvisation 17.04.2006; Sniffin' Around; It's Not What it Was; Spirit Dance.
David Braid, Piano; Matt Brubeck, Cello.
Charnett Moffett's talent as a premier progressive jazz bassist has never been in doubt, but compositionally, his work has straddled the fence between overtly commercial, [more]
The Michigan-based Northwoods Improvisers collective meld the largely undefined sounds of world music with jazz stylizations. Here, multi-reedman Faruq Z. Bey [more]
After spending a year with the avant-garde quartet Circle, Chick Corea's desire to communicate to a wider audience led to him deciding to break up the unit. His first [more]
One of the final recordings of Leroy Jenkins before his passing, this collaborative quartet dubbed Driftwood indeed emphasizes instruments made of wood in nomadic [more]
Fans of Lambert, Hendricks & Ross specifically, and vocal jazz in general, have long heard about the early sides recorded before the trio came [more]
Pianist Chick Corea had a reunion with bassist Miroslav Vitous and drummer Roy Haynes for this double LP, 13 years after they had recorded Now He Sings, Now He [more]
Megadrummer and percussionist Alphonse Mouzon recorded Virtue, his lone date for Germany's MPS, in 1976, and the label issued it in 1977. As far as fusion records go, these were not [more]
The Doors of Perception, recorded by Dave Pike and his group, is one of the oddest records in his rather exotic -- and utterly hip -- discography. Produced by Herbie Mann and [more]
This two-CD set (reissued from a triple LP) is by no means indispensable Sun Ra, but it does give a sense of what the Arkestra sounded like live in the mid-1980s. All the excesses are [more]