Stan Getz was one of the all-time great tenor-saxophonists. Throughout his career, Getz's beautiful tone was featured in many different [more]

Stan Getz was one of the most popular and accessible of all jazz musicians. He always had a beautiful tone on tenor yet, despite regularly achieving commercial [more]

Some fierce live Getz. W/ Jimmy Raney (g), Al Haig (p), Teddy Kotick (b), and Tiny Kahn (d). ~ Ron Wynn, All Music Guide

Stan Getz had such a beautiful tone on his tenor that in the 1950s he was sometimes called "The Sound." While Getz did not spend all that much time on the [more]

In that quintessential breakthrough year of modern jazz -- 1957 -- Norman Granz was fond of pairing the legendary drummerless trio of [more]

The only studio meeting between Stan Getz and Bill Evans took place over two days in 1964, with the aggressive drummer Elvin Jones and either Richard Davis or Ron [more]

Long ignored by jazz folk who once thought the music of Burt Bacharach was beneath contempt, Stan Getz's collection of Bacharach-iana was [more]

One of his best LPs from a very creative and innovative period, Stan Getz in Stockholm is wonderful almost in spite of itself. Getz recorded this date for Norman Granz in [more]

Although the name Stan Getz (tenor sax) was initially synonymous with the West Coast cool scene during the mid-to-late 1950s, he likewise [more]

One of the biggest-selling jazz albums of all time, not to mention bossa nova's finest moment, Getz/Gilberto trumped Jazz Samba by bringing two of bossa nova's greatest [more]

This rather commercial album (the next to last of Stan Getz's long career) is saved only by the great tenor's tone and creativity. The originals by Eddie del Barrio and Herb Alpert are [more]

This 15-cut collection of Stan Getz ballads runs the gamut from his early bossa hits with {João} and Astrud Gilberto to his ballad performances with Bill Evans, Oscar Peterson, and Jim [more]

One of the biggest-selling jazz albums of all time, not to mention bossa nova's finest moment, Getz/Gilberto trumped Jazz Samba by bringing two of bossa [more]

Tenor Stan Getz and valve-trombonist Bob Brookmeyer made a mutually beneficial team. Although they had not played together all that much in 1954 (Brookmeyer had left Getz's band earlier [more]

When Stan Getz visited Paris to witness the French Open tennis matches, he would hang out at the Blue Note nightclub to hear how the locals did it, being told their jazz scene was [more]