Miles Davis' recordings of 1951-1954 tend to be overlooked because of his erratic lifestyle of the period and because they predated his first classic quintet. Although he rarely [more]

There's little argument that the quintet Miles Davis led between 1965 and 1968 was one of the classic combos in the history of jazz. [more]

This compilation is taken from the masterful and wondrous box set issued late in the year 2000. It is assembled with the kind of care only [more]

Shhh/Peaceful; In A Slient Way/It's About That Time: In A Silent Way, It's About Time, In A Silent Way.
Miles Davis, Trumpet; Wayne Shorter, Soprano Sax; Chick [more]

This album is perhaps most significant for the process it set in motion -- the collaboration between Gil Evans and Miles Davis that would produce Porgy and Bess and Sketches of Spain, two [more]

This CD contains all of the music recorded by a particularly strong sextet in 1953, six selections and five alternate takes. With trumpeter Miles Davis, trombonist J.J. [more]

Miles Davis' entry into the Sony Legacy Edition series features his Columbia Records debut and the first offering from his quintet with John Coltrane, Red Garland, [more]

Recorded live in Germany at the Berlin Philharmonic, Miles in Berlin represents the first recording of trumpeter Miles Davis with tenor saxophonist Wayne Shorter. For [more]

After George Coleman left the Miles Davis Quintet, tenor saxophonist Sam Rivers took his place for a short period including a tour of Japan. Davis did not care for Rivers' [more]

Thought by many to be the most revolutionary album in jazz history, having virtually created the genre known as jazz-rock fusion (for better or worse) and being the jazz album to most [more]

In conjunction with the release of Ken Burns' ten-part, 19-hour epic PBS documentary {#Jazz}, Columbia issued 22 single-disc compilations devoted to jazz's most significant artists, as [more]

Finally, a non-bootleg issue of one of Miles Davis' greatest electric performances ever. In fact this is the very first of the Miles Davis [more]

Kind of Blue isn't merely an artistic highlight for Miles Davis, it's an album that towers above its peers, a record generally considered as the definitive jazz album, a universally [more]

So dubbed because these three sessions -- two from early 1949, one from March 1950 -- are where the sound known as cool jazz essentially formed, The Birth of the Cool remains one of [more]

This is basically a Charlie Parker album that Miles Davis plays on, largely consisting of old Dial masters. Only on the August 1947 session is Davis listed as leader -- the date which [more]

Miles Davis' concert of February 12, 1964, was originally divided into two LPs, with all of the ballads put on My Funny Valentine. These five lengthy tracks (which include "All of [more]

In an odd bit of programming, Columbia placed the ballads from Miles Davis' February 12, 1964, concert on My Funny Valentine and the uptempo romps on this LP; all of the music has since [more]

Could there be any more confrontational sound in Miles Davis' vast catalog than the distorted guitars and tinny double-timing drums reacting to a two-note bass riff funking it up on the [more]