Although released in the usually consistent Columbia Jazz Masterpieces series, this recording is a mere sampler of trombonist J.J. Johnson's 1957-60 recordings. The nine selections [more]
After the success of Song for My Father and its hit title cut, Horace Silver was moved to pay further tribute to his dad, not to mention connect with [more]
Prior to her 1959 hit "What a Difference a Day Makes," nearly every Dinah Washington recording (no matter what the style) was of interest to jazz listeners. However, after her [more]
Three-disc anthology that covers various editions of The Messengers from the beginning to the end. It contains such classics as
Although a tribute to the music of the legendary cornetist Bix Beiderbecke, the ten selections on this 1955 LP are really jam sessions with no attempt to recreate Beiderbecke's recordings [more]
Kenny Davern has since at least the late '60s been one of jazz's finest trad/swing clarinetists. This particular date teams him with bassist Bob Haggart, guitarist Howard Alden, [more]
This CD contains all of the music recorded by a particularly strong sextet in 1953, six selections and five alternate takes. With trumpeter Miles Davis, trombonist J.J. [more]
The Dirty Dozen Brass Band certainly knew how to have a good time while playing their music. Their spirited blending of New Orleans jazz parade rhythms with R&B-ish horn riffs [more]
Although generally not as celebrated as his Victor recordings of the same period, Duke Ellington's performances for OKeh (late acquired by Columbia) are among the best of the [more]
Curious listeners who encounter Lee Morgan for the first time through this single-disc anthology will come away mightily impressed, even inspired, but they will be hearing only the [more]
The Hammond organ mastery of Jimmy Smith is arguably nowhere as profound as on this collection. Support is provided by the formidable trio of Donald Bailey (drums), Kenny Burrell (guitar) [more]
Part of Bluebird's very admirable reissue of all of Fats Waller's 1934-42 Victor recordings, this three-CD set has the [more]
Almost always presented in tandem reissues with violinist Joe Venuti, early jazz guitar virtuoso Eddie Lang here receives an outstanding and well-deserved tribute: 21 chronologically [more]
Draw up a list of some of the top jazz artists of all time, and the legend featured in this recording would likely be at the top of that list. Louis [more]
There's a certain infectious joy to music from the Ragtime Era and few people have mined those happy melodies as well as the pianist Max Morath. In this happy recording [more]
A glance at this CD's cover might cause collectors to have a double take for it looks similar to the original A Night at Birdland album by Horace Silver and the Jazz [more]
The Eubie Blake collection is truly astounding sonically, of course, but musically it's a tickler as well. Most of the rags and blues date from the 'teens and early '20s with two tracks (among them the old standby I'm Just Wild About Harry) dating from 1973, when Blake was already 90 years old. The fact that the shift in sound quality is barely noticeable with the 50 year jump is a testament to Biograph's technique. -Goldmine Magazine
A link to 19th-century ragtime who was still at the keys 75 years after the composition of his "Charleston Rag" (1899), Eubie Blake lived on yet longer thanks to his piano-roll [more]
"Nancy comes out as a powerhouse vocalist navigating awesome changes and intricate rhythms. She holds her own with one of the greatest alto saxophonists of all time." —Cassandra Wilson
An excellent collaboration of the Nancy Wilson voice with the Cannonball Adderley alto sax from the early '60s. While this 1961 recording was [more]
The Mosaic label, which has become famous as jazz's number one reissue company, usually puts together large multi-disc boxes full of valuable music. J.J.! is part of Mosaic's first [more]