One of the major jazz guitarists to emerge in the early 1960s, Grant Green emphasized single-note lines in his solos (almost never playing chords), was influenced [more]
Guitarist Grant Green played single-note lines similar to Charlie Christian (his main influence) and very seldom-played chords, which is one reason why his playing [more]
Grant Green's debut album, Grant's First Stand, still ranks as one of his greatest pure soul-jazz outings, a set of killer grooves laid down by a hard-swinging organ trio. For [more]
Most of guitarist Grant Green's recordings of the 1960s feature him in larger groups, making this trio outing with bassist Ben Tucker and drummer Dave Bailey a strong showcase [more]
Jazz can fit all moods, from happiness to wistful sadness, from pure excitement to serving as romantic background music. This fact was noted in the late 1950s when [more]
This quintet date by guitarist Grant Green was one of the last of his Blue Note albums to be reissued on CD, and it is somewhat clear why. The musicians (Green, trumpeter Johnny Coles, [more]
Grant Green's third album to be released, Grantstand teams the clear-toned guitarist with an unlikely backing group of musicians who rarely appeared with Blue Note otherwise: tenor [more]
One of the most versatile of guitarists. -George Benson
This languid, seductive gem may well be Grant Green's greatest moment on record. Right from the opening bars of the classic title cut, Idle Moments is immediately ingratiating and [more]
Grant Green recorded so much high-quality music for Blue Note during the first half of the '60s that a number of excellent sessions went unissued at the time. Even so, it's still hard to [more]
Mosaic released a four-disc box set titled The Complete Blue Note With Sonny Clark in 1991, rounding up everything that the guitarist and pianist [more]
This pair of 1963 studio sessions by Grant Green remained under wraps until issued as a part of Blue Note's limited edition Jazz Connoisseur series. The guitarist is in fine form, [more]
Broadening his musical palette, Grant Green detoured into a number of "theme" sessions in 1962 -- the light Latin jazz of Latin Bit; the country & western standards of [more]
Grant Green, being known mainly as a soul-jazz guitarist, eventually gravitated into the popular boogaloo sound, a derivation of Latin music. The Latin Bit is the natural bridge to that [more]
This exceptional collection of marches, reels, strathspeys, hornpipes, and airs perfectly encapsulates the rich tradition of Scottish piping. The Grampian Police [more]
The only difference between this "Rudy Van Gelder Edition" of Joe Henderson's classic 1966 Mode for Joe album, which starred Lee Morgan, Bobby Hutcherson, Curtis [more]
"Performances that are historically authentic, unadulterated in instrumentation, and respectful of the American march tradition." —Gunther Schuller
This recording take us back to an era when American music flourished. The CD is chock-filled with joyful, high-spirited music that fits best [more]
Although it would have been interesting to hear Nat Cole play some piano and perhaps accompany a vocal by George Shearing instead of [more]
Although there are a multitude of box sets chronicling Bessie's entire recorded career, this two-disc, 36-song set sweats it down to the bare essentials in quite an effective [more]
Grant Stewart's 2005 session for the Japanese Video Arts label features several musicians of his generation, including the highly regarded guitarist Joe Cohn and seasoned bassist Joel [more]