Dexter Gordon was one of the most beloved of all jazz tenor-saxophonists. He had a giant and very friendly sound which perfectly fit his personality and life. [more]
Reissued as part of the OLP (Original Long Play Albums) series, this CD contains music from two different groups from the 1952-53 [more]
Along with Gene Ammons and Stanley Turrentine, Dexter Gordon was one of the top ballad players of the '60s. Having already made his name in the bebop era and as an expatriate in Europe, [more]
Dexter Gordon's second recording for the Blue Note label is a solidly swinging affair, yet constantly full of surprises. It's not unexpected that Gordon's tenor at this time -- 1961 [more]
The title of this Blue Note set, Doin' Allright, fit perfectly at the time, for tenor saxophonist Dexter Gordon was making the first of three successful comebacks. Largely neglected [more]
From the first moments when Dexter Gordon sails into the opening song full of brightness and confidence, it is obvious that Go! is going to be one of those albums where everything just seems to [more]
Dexter Gordon was on a roll in 1962 when he recorded A Swingin' Affair. Two days earlier he and this same quartet recorded his classic album Go!; the band included pianist Sonny [more]
This 1963 date is titled for Dexter Gordon's living in self-imposed Parisian exile and recording there with two other exptriates and a French native. Along with Gordon, pianist Bud [more]
“The release of Jazz Icons™ is like the unearthing of a musical time capsule — an audio-visual treasure trove of the music that changed the world. From an educational standpoint this series is a gift to our culture.” —Quincy Jones
She's Billie Holiday. No, she's Ella Fitzgerald. No, wait, she's Dinah Washington. The conventional wisdom on Aretha Franklin's tenure at Columbia Records is that the label didn't [more]
16 Most Requested Songs doesn't necessarily contain Rosemary Clooney's biggest hits -- "Hey There," "This Ole House," and "Mambo Italiano" are here, but "Memories of [more]
Although it would have been interesting to hear Nat Cole play some piano and perhaps accompany a vocal by George Shearing instead of [more]
A Salute to the Big Band Masters. Powerhouse salute to big-band masters. ~ Ron Wynn, All Music Guide
As with the slightly earlier Mostly Blues CD, the title of this set is inaccurate. True, Hampton performs such ballads as
Nice reissue featuring the great swing era bandleader Fletcher Henderson and his orchestra on recordings from 1932 to 1937. Some players presented include Omer Simeon, Coleman Hawkins, and Big Sid Catlett. ~ Ron Wynn, All Music Guide
Mingus Ah Um catapulted Charles Mingus from a much-discussed semi-underground figure to a near-universally accepted and acclaimed leader in modern jazz. Perhaps that's why his [more]
This set of unaccompanied piano solos features Marcus Roberts interpreting three Jelly Roll Morton, six Duke Ellington and six Thelonious Monk songs. Morton gets a bit [more]
Just about to turn 60, Jimmy Rushing recorded his only LP for Colpix in early 1963 with a large group packed with Basie alumni (Freddie Green, Gus Johnson, Joe Newman, Snooky [more]
Most of Sarah Vaughan's Columbia recordings were on the commercial side, but not the memorable selections on this wonderful CD reissue. She recorded eight selections in 1950 [more]
In the late 1960s and early 1970s, Scott recorded some sessions for Atlantic that were either withdrawn from the market for legal reasons, or unissued entirely. Lost and Found [more]