In an odd bit of programming, Columbia placed the ballads from Miles Davis' February 12, 1964, concert on My Funny Valentine and the uptempo romps on this LP; all of the music has since [more]
Jimmy Giuffre definitely had a wide-ranging career. The composer of the Woody Herman hit Four Brothers, Giuffre had quiet styles and cool tones [more]
The music is predictable but pleasing on this consistent CD, recorded at the 1960 Newport Jazz Festival. Cannonball Adderley's Quintet (with trumpeter Nat [more]
All of a sudden, George Benson became a pop superstar with this album, thanks to its least representative track. Most of Breezin' is a softer-focused variation of Benson's R&B/jazz-flavored [more]
As the Manhattan Transfer went on, so did the legacy of the jazz vocal ensemble. In that regard, though the competition was scarce, this group did elevate the [more]
Recorded at a single session on May 19, 1957, the simply titled Quintet features one of bassist Paul Chambers' rare outings as a bandleader, and it teams him with [more]
This recording contains eight compositions apiece by Bill Russo and Bill Holman for the Stan Kenton Orchestra of 1953-54. All of the inventive music has since been reissued on CD by [more]
This magnificent limited-edition set launched the Mosaic label in real style. Included are all of Thelonious Monk's Blue Note recordings, six sessions as a leader [more]
Two and a half years after his last recording as a leader for Impulse, pianist McCoy Tyner emerged to start a period on Blue Note that would result in seven albums. Having left John [more]
This is one of pianist-composer Thelonious Monk's greatest recordings and represents a high point in his career. Performing at Philharmonic Hall in New York, Monk [more]
"Every so often you're lucky enough to be in the right place at the right time. And we were the lucky ones, those of us who were in Carnegie Hall on Friday night, February 22, 1963. That was the night the Dave Brubeck Quartet reached swinging heights few of us had ever heard it attain before. It began predictably as a good Brubeck concert, but nothing out of the ordinary. We were all there on this Washington's Birthday because we like to listen to Brubeck, and we were hearing pretty much what we had expected to hear. And so we were satisfied. Then suddenly it happened-right after the start of the third number. Don't ask why. Probably nobody can explain it. But it happened all right, and what had begun as a quite good Brubeck concert burst abruptly into a truly great one. From then on, this turned out to be the night the Dave Brubeck Quartet was really swinging. This was the night it fell into a groove few, if any of us, had ever realized it could find. This was one of those nights when everything turned out right. During intermission I sat with Dave and Paul Desmond in their dressing room. They were very happy. A great rapport had been established, because they were feeling exactly what we had been feeling out front. They knew even better than we did that this was a special night. Some days later Dave, still exultant about what had happened at Carnegie Hall, remarked, 'The group had reached swinging heights like that before. What was lucky is that this concert was recorded!'"
For all those who have a big axe to grind with Brubeck, for all those who claim the band was only successful because they were predominantly white, or played [more]
For its 25th anniversary in 1998, Concord Jazz came up with a unique package comprised of the first and last sessions that label founder Carl Jefferson produced. Jefferson [more]
Woody Herman spent his twilight years recording for the Concord label, both with his big band and in all-star groups that he sponsored. For this 1998 sampler CD, Herman [more]
Although Coltrane only recorded one proper album for Blue Note (Blue Train), he is credited as a sideman on several dates for the venerable jazz label. This disc paints the [more]
He has been my greatest inspiration. -Freddie Hubbard
Sobriquets like the world's greatest saxophonist and the world's greatest improviser are often applied to Sonny Rollins. That's a lot to [more]
In the history of Irish music no group has created and maintained their niche as effectively as The Dubliners. Formed [more]
"This period when we were playing the Vanguard was the best time I ever had in my life." —Wynton Marsalis, 1999
As if releasing eight single albums in 1999 weren't enough, Wynton Marsalis capped this deluge of material at the end of the year with a seven-CD mini-box of live [more]
Woody Herman's First and Second Herds were his most important and exciting bands. Herman, who played clarinet and alto sax in addition to taking an [more]
It was 1951 when Philip Jones formed the Philip Jones Brass Ensemble, and during the intervening half-century this phenomenal ensemble has [more]