Art Blakey was jazz's greatest talent scout, in addition to being one of its finest drummers and bandleaders. During 1955-90, he led The [more]

This is a particularly obscure live set by Art Blakey's Jazz Messengers, one not even listed in most discographies. The 1968 edition of Blakey's band was a strong if [more]

Free for All is a high point in drummer Art Blakey's enormous catalog. This edition of the Jazz Messengers had been together since 1961 with a lineup that would be [more]

Three-disc anthology that covers various editions of The Messengers from the beginning to the end. It contains such classics as

This is the one that started it: Mosaic, recorded in 1961, was the first recording of Art Blakey's Jazz Messengers as a sextet, a setting he kept from 1961-1964. The band's [more]

A glance at this CD's cover might cause collectors to have a double take for it looks similar to the original A Night at Birdland album by Horace Silver and the Jazz [more]

Just prior to forming the first edition of the Jazz Messengers, drummer Art Blakey led a superb quintet at Birdland for a brief gig in 1954. The band featured [more]

This 2003 reissue of the Art Blakey classic Indestructible is part of Blue Note's Rudy Van Gelder series. Van Gelder himself has done the 24-bit remasters from analog masters. The added track left off the original session is Wayne Shorter's

In 1961, Art Blakey's Jazz Messengers had expanded to a sextet, likely his most talented ensemble, and riding on the crest of tenor saxophonist Wayne [more]

The lengthy title track on this CD easily overshadows the rest of the program for it is one of the most exciting versions ever recorded of Dizzy [more]

Perhaps the best-known and most loved of Art Blakey's works, The Big Beat is a testament to the creative progress of one of the best jazz drummers of all time. [more]

This two-disc set follows the legendary Blue Note label from its inception as the smallest of independent labels, issuing 12" jazz singles in the [more]

Though it includes just one track originally released on Blue Note (Kenny Dorham's "Afrodisia"), Latino Blue is a superb collection of Latin jazz spanning the late '50s to the late [more]

After getting his start with Stan Getz in 1950, Horace Silver began recording his own sides for Blue Note in 1952-1953. Horace Silver [more]

Soul Finger, released on Limelight in 1965 marks Lee Morgan's and Freddie Hubbard's final studio appearances as members of Art Blakey's Jazz Messengers. Morgan had been an [more]

By the time that jazz icon/bandleader/percussionist Art Blakey and his Jazz Messengers began recording for Riverside in the fall of 1962, Blakey had already been the [more]

In conjunction with the release of Ken Burns' ten-part, 19-hour epic PBS documentary {#Jazz}, Columbia issued 22 single-disc compilations devoted to jazz's most significant artists, as [more]