The Heavyweight Champion is a box set that lives up to its title. Collecting all of John Coltrane's Atlantic recordings, including a fair [more]
When I went to Atlantic, they just sat me down at the piano and let me do my thing. -Aretha Franklin
Queen of Soul: The Atlantic Recordings is an 86-track, four-disc box set that covers Aretha Franklin's Atlantic career, spanning from 1967's {"I Never Loved [more]
As the Manhattan Transfer went on, so did the legacy of the jazz vocal ensemble. In that regard, though the competition was scarce, this group did elevate the [more]
The Dave Brubeck-Gerry Mulligan quartet is heard in a very inspired performance at the Newport Jazz Festival, just a short time before a riot by the audience closed the festival. [more]
There is an order to what I do. -Ornette Coleman
As jazz's first extended, continuous free improvisation LP, Free Jazz practically defies superlatives in its historical importance. Ornette [more]
Coltrane's sessions for Atlantic in late October 1960 were prolific, yielding the material for My Favorite Things, Coltrane Plays the Blues, and Coltrane's Sound. My [more]
This is one of the most highly underrated entries in Coltrane's voluminous catalog. Although the same overwhelming attention bestowed upon My Favorite Things was not given to [more]
This late-period Duke Ellington album is perhaps most notable for including altoist Johnny Hodges' final recordings. In fact, Hodges was supposed to record his first soprano solo [more]
"I think that more jazz groups should tell stories like Mingus does." —Shafi Hadi
The Clown was Charles Mingus' second masterpiece in a row, upping the already intense emotional commitment of Pithecanthropus Erectus and burning with righteous anger and [more]
At the time, this two-record set was viewed as the end of an era. Now it only represents the climax of phase one. It's an excellent set, though -- among their best live efforts. ~ Ron Wynn, All Music Guide
The Modern Jazz Quartet (MJQ) delighted in violating stereotypes. During the 1950s, when jazz musicians were often unfairly portrayed as unreliable or [more]
This is a strong recording from the Modern Jazz Quartet, with inventive versions of John Lewis' "Vendome," Ray Brown's "Pyramid," Jim Hall's "Romaine," and Lewis' famous "Django," along with cooking jams on "How High the Moon" and
Weather Report's biggest-selling album is that ideal thing, a popular and artistic success -- and for the same reasons. For one thing, Joe Zawinul revealed an unexpectedly potent [more]
This album has an interesting concept, alternating four original blues with five adaptations of melodies from classical works by Bach. The Modern Jazz Quartet had long been [more]
The Atlantic/Rhino anthology line has delighted novices and angered purists who have balked at what they deem questionable [more]
As part of their 40th anniversary, the Modern Jazz Quartet welcomed ten guest artists to their Celebration CD: Bobby McFerrin (brilliant on
After drummer Connie Kay passed away, this previously unreleased concert, recorded in Slovenia in 1960, was issued on a double CD and dedicated to him. The Modern Jazz [more]
One of the most influential forces in jazz, bassist-composer Charles Mingus revered Duke Ellington and showcases Ellington's music on this classic [more]
The liner notes for this can't-miss compilation, of a saxman who was putting the "smooth" into jazz long before radio called it that, promise some serious smackin'. [more]