Charles Ives

• "Adeste Fideles" in an Organ Prelude, for organ, S. 131 (K. 3D19) (1898)
• Adagio in F, for organ, S. 130 (K. 3D7 ) (incomplete) (1892)
• Burlesque Cadenza, for organ (or piano), S. 418 (K. 7C13) (1890)
• Burlesque Excercise in C major (I), for piano, S. 421 (K. 7C9) (1892)
• Burlesque Excercise in C major (II), for piano, S. 422 (K. 7C10) (1893)
• Burlesque Excercise in C major (IV), for organ, S. 424 (K. 7C20) (1896)
• Burlesque Excercise in C minor, for organ, S. 425 (K. 7C19) (1895)
• Burlesque Harmonization in C major, for organ (or piano), S. 426 (K. 7C8) (1892)
• Burlesque Harmonization in F major over E flat major, for organ (or piano), S. 427 (K. 7C7) (1891)
• Burlesque Harmonizations of "London Bridge", for organ (or piano), S. 428 (K. 7C5) (1891)
• Burlesque Postlude, for organ in C major, S. 133 (K. 7C6) (1891 05 08)
• Burlesque Storm, for 2 pianos, S. 126 (K. 3C1) (1896)
• Burlesque Whole-Tone Exercise, for organ in C major, S. 432 (K. 7C3) (1897)
• Canon, for organ in F major, S. 406 (K. 7B13) (1896)
• Canon, for organ in G major, S. 408 (K. 7B12) (1896)
• Canzonetta, for organ in F major, S. 134 (K. 3D8) (1893)
• Counterpoint Exercise in B-flat major, for organ (or piano), S. 410 (K. 7B2) (1892)
• Counterpoint Exercise in C major, for organ (or piano), S. 411 (K. 7B4) (1892)
• Counterpoint Exercise in D flat major, for organ (or piano), S. 412 (K. 7B16) (1897)
• Counterpoint Exercise in E major (I), for organ (or piano), S. 412 (K. 7B5) (1892)
• Counterpoint Exercise in E major (II), for organ (or piano), S. 413 (K. 7B6) (1892)
• Counterpoint Exercise in F major, for organ (or piano), S. 414 (K. 7B2) (1892)
• Drum Corps or Scuffle, for piano, 4 hands, S. 127 (K. 3C2) (before 1902 09 01)
• Four Transcriptions from "Emerson", for piano, S. 123 (K. 3B21) (1917 -1922)
• Fugue, for organ in C minor, S. 135 (K. 3D14) (1897)
• Fugue, for organ in E-flat major, S. 136 (K. 3D15) (1897 07)
• Impression of the St. Gaudens in Boston Common, for piano ("Black March"), S. x683iii (1911)
• Improvisations (3), for piano, S. 117 (1938 05 11)
• Interludes for Hymns (4), for organ, S. 137 (K. 3D6) (1898)
• Invention in D, for piano in D major, S. 118 (K. 3B14) (1897)
• March in G & C with "See the Conquering Hero Comes", for piano, S. 114 (K. 3B11) (1893)
• March No. 1 with "Year of Jubilee", march for piano, S. 109 (K. 3B4) (1890)
• March No. 2 with "Son of a Gambolier", march for piano, S. 110 (K. 3B5) (1892)
• March No. 3 (III) with "Omega Lambda Chi", march for piano, S. 111 (K. 3B6) (1895 -1896)
• March No. 5 with "Annie Lisle", march for piano, S. 112 (K. 3B10) (1892)
• March No. 6 with "Here's to Good Old Yale", for piano, S. 113 (K. 3B13) (1892 -1897)
• March: The Circus Band, for piano, S. 115 (K. 3B12) (1899)
• Minuetto, for piano ("Op. 4"), S. 119 (K. 3B1) (1886 12 25)
• New Year's Dance, for piano, S. 120 (K. 3B2) (1886)
• Piece in G minor, for piano, S. 121 (K. 3B3) (incomplete) (1889)
• Polytonal Canon, for organ, S. 437 (K. 7C14) (1892)
• Postlude for Thanksgiving Service, for organ, S. 139 (K. 3D18) (1897 11 24)
• Quarter-Tone Pieces (3), for 2 pianos, S. 128 (K. 3C3) (1923 -1924)
• Ragtime Dance, for 2 pianos, S. 129 (after 1913)
• Set of Five Take-Offs, for piano, S. 122 (K. 3B16) (1906 12 22-1907 01 01)
• Sonata No. 1, for piano, S. 87 (K. 3A1) (1901 -1909)
• Sonata No. 2: Concord, Mass., 1840-60, for piano (& optional viola, flute), S. 88 (K. 3A2) (1911 -1915)
• Storm and Distress, cadenza for piano (included in "Scherzo: Over the Pavements"), S. 82a (1910)
• Studies Nos. 16 and 19, for piano, S. 101/103 (K. 3B17) (after 1925)
• Study No. 11: Andante, etude for piano, S. 99 (K. 3B17) (incomplete) (1908)
• Study No. 15: Allegro moderato, etude for piano, S. 100 (K. 3B17) (incomplete) (after 1925)
• Study No. 16: Andante cantabile, etude for piano, S. 101 (K. 3B17) (incomplete) (after 1925)
• Study No. 18: Sunrise Cadenza (Adagio), for piano, S. 102 (K. 3B17) (incomplete) (after 1925)
• Study No. 19: Study in major and minor intensities, for piano, S. 103 (K. 3B17) (incomplete) (after 1925)
• Study No. 1: Allegro, etude for piano, S. 90 (K. 3B17) (incomplete) (1907)
• Study No. 20: March (Slow Allegro or Fast Andante), etude for piano, S. 104 (K. 3B17) (ca. 1925)
• Study No. 21: Some Southpaw Pitching, etude for piano, S. 105 (K. 3B17) (1914)
• Study No. 22: Andante maestoso--Allegro vivace, etude for piano, S. 106 (K. 3B17) (1909)
• Study No. 23: Allegro, etude for piano, S. 107 (K. 3B17) (ca. 1909)
• Study No. 27: Chromâtimelôdtune, etude for 2 pianos (4 players), S. 108 (K. 3B17) (1913)
• Study No. 2: Andante moderato-Allegro molto, etude for piano, S. 91 (K. 3B17) (1907)
• Study No. 4: Allegro moderato, etude for piano, S. 92 (K. 3B17) (incomplete) (1907 -1908)
• Study No. 5: Moderato con anima, etude for piano, S. 93 (K. 3B17) (1907 -1908)
• Study No. 6: Andante, etude for piano, S. 94 (K. 3B17) (1907 -1908)
• Study No. 7: Andante cantabile, etude for piano, S. 95 (K. 3B17) (1907 -1908)
• Study No. 8: Trio (Allegro moderato--Presto), etude for piano, S. 96 (K. 3B17) (1908 12 21)
• Study No. 9: The Anti-Abolitionist Riots in the 1830s & 1840s, for piano, S. 97 (K. 3B17) (1908)
• The Celestial Railroad, "take off" for piano, S. 116 (K. 3B19) (1925)
• Three-Page Sonata, for piano (& optional glockenspiel), S. 89 (K. 3B15) (1905 09)
• Variations on "America," for organ, S. 140 (K. 3D5) (1891 -1892)
• Varied Air and Variations, for piano, S. 124 (K. 3B20) (1925)
• Waltz-Rondo, for piano, S. 125 (K. 3B18) (1911)
• Work(s), for organ (1890 -1899)
• Work(s), for piano (1886 -1938)
• Work(s), Studies for piano (1907 -1929)

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